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PARIS AT THE END OF THE WORLD

THE CITY OF LIGHT DURING THE GREAT WAR, 1914-1918

An enjoyable, swift read, and the author’s final solution to Archie’s wartime dilemma makes it as fun as a work of...

Australian transplant and longtime Paris resident Baxter (The Most Beautiful Walk in the World: A Pedestrian in Paris, 2011) has spent years trying to discover what it was that changed his grandfather so much when he returned from World War I.

Grandpa Archie left his young family, rejected his former job and never mentioned the war; he only occasionally said, ça ne fait rien (it makes no difference). Was he injured; did he suffer or commit horrors; did he desert; did he fall in love? During his many years in Paris, the author only found a few facts with the help of a military historian. Within Archie’s story, the author intersperses descriptions of Paris and its artistic occupants during the Great War. For most Parisians, French or not, the war didn’t seem real; it was a show, entertainment for their picnics. Most residents were only concerned with the moment. Despite shortages, the theater muddled on, dinner parties were noted for the clever conversations rather than the cooking, and bombs were mostly ignored. Only the French could make austerity chic. “Far from rejecting pain,” he writes, “[Paris] embraced it, transformed it.” Throughout the narrative, Baxter jumps back and forth to England, where the Australian forces were based before traveling to the front and returned for recovery. The no-nonsense Aussies were quick to start a fight and didn’t take any guff from anyone, even officers, and the botched leadership at the beginning of the war would no doubt have caused a mutiny. This book is as much about searching for Grandpa Archie’s life as it is about Paris and England during the war. In lesser hands, the narrative could have easily become confusing, even boring, but Baxter carries it off with aplomb.

An enjoyable, swift read, and the author’s final solution to Archie’s wartime dilemma makes it as fun as a work of historical fiction.

Pub Date: April 15, 2014

ISBN: 978-0-06-222140-7

Page Count: 400

Publisher: Perennial/HarperCollins

Review Posted Online: Feb. 18, 2014

Kirkus Reviews Issue: March 1, 2014

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WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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21 LESSONS FOR THE 21ST CENTURY

Harari delivers yet another tour de force.

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A highly instructive exploration of “current affairs and…the immediate future of human societies.”

Having produced an international bestseller about human origins (Sapiens, 2015, etc.) and avoided the sophomore jinx writing about our destiny (Homo Deus, 2017), Harari (History/Hebrew Univ. of Jerusalem) proves that he has not lost his touch, casting a brilliantly insightful eye on today’s myriad crises, from Trump to terrorism, Brexit to big data. As the author emphasizes, “humans think in stories rather than in facts, numbers, or equations, and the simpler the story, the better. Every person, group, and nation has its own tales and myths.” Three grand stories once predicted the future. World War II eliminated the fascist story but stimulated communism for a few decades until its collapse. The liberal story—think democracy, free markets, and globalism—reigned supreme for a decade until the 20th-century nasties—dictators, populists, and nationalists—came back in style. They promote jingoism over international cooperation, vilify the opposition, demonize immigrants and rival nations, and then win elections. “A bit like the Soviet elites in the 1980s,” writes Harari, “liberals don’t understand how history deviates from its preordained course, and they lack an alternative prism through which to interpret reality.” The author certainly understands, and in 21 painfully astute essays, he delivers his take on where our increasingly “post-truth” world is headed. Human ingenuity, which enables us to control the outside world, may soon re-engineer our insides, extend life, and guide our thoughts. Science-fiction movies get the future wrong, if only because they have happy endings. Most readers will find Harari’s narrative deliciously reasonable, including his explanation of the stories (not actually true but rational) of those who elect dictators, populists, and nationalists. His remedies for wildly disruptive technology (biotech, infotech) and its consequences (climate change, mass unemployment) ring true, provided nations act with more good sense than they have shown throughout history.

Harari delivers yet another tour de force.

Pub Date: Sept. 4, 2018

ISBN: 978-0-525-51217-2

Page Count: 400

Publisher: Spiegel & Grau

Review Posted Online: June 26, 2018

Kirkus Reviews Issue: July 15, 2018

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