Whether you’re planning your first trip to Paris or absolutely have to stop in Paris on your way anywhere, this book, in...



Baxter (Hemingway's Paris: A User's Guide, 2016, etc.) provides another delightful salute to Paris.

Born in Australia, the author first traveled to Paris in 1969. Now married with a daughter, he lives in Saint-Germain-des-Prés village. The area managed to avoid much of Baron Haussmann’s destructive urban renewal, which leaves it with lots of quaint corners filled with shops and fascinating history. As a Paris walking guide, the author delights with anecdotes both historical and current. He takes us through the Cour de Rohan and the Cour du Commerce Saint-André, making even seasoned travelers feel as if no one else knew of their existence. Baxter notes that publisher Jean-Paul Marat’s print shop was at No. 8, while at No. 6, Dr. Joseph-Ignace Guillotin perfected his killing device, “on which hundreds would die until France abandoned capital punishment in 1981.” Among other highlights in the area are chocolatier Debauve, which embossed Marie Antoinette’s sweets with gold; the 18th-century restaurant and salon Privés La Pérouse; Miss Betty’s Brothel; and the unnamed “beat hotel” that “attracted some significant literary figures of the postwar era.” The author doesn’t just note the best places to eat; he differentiates between a brasserie and a bistro and informs us what to eat where. For fans of the bohemian life and 1920s lost generation stars, there are numerous spots to seek out, including the trails of stars like Hemingway, Gertrude Stein, Isadora Duncan, and her even stranger brother, Raymond. As in previous books, the author makes readers feel as they are returning to a familiar, comfortable spot in the company of good friends.

Whether you’re planning your first trip to Paris or absolutely have to stop in Paris on your way anywhere, this book, in addition to the author’s previous guides, is essential.

Pub Date: Nov. 8, 2016

ISBN: 978-0-06-243190-5

Page Count: 256

Publisher: Perennial/HarperCollins

Review Posted Online: Aug. 10, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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