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THE POWER OF DELIGHT

ESSAYS, 1962-2002

Bayley is England’s Edmund Wilson, and reading him on reading others truly is an education.

A generous display of the indefatigable British critic’s wares: nearly 70 informed, eloquent, and endlessly stimulating book reviews and literary essays.

They’re grouped mostly by genre and nationality—and there are few fields of interest about which this ineffably generous uncommon reader doesn’t have something interesting to say. Rummaging through “English Literature,” he celebrates the productively “divided natures” of Dickens and Hardy, Trollope’s mastery of the quotidian, and the achievements of those “self-created” geniuses George Orwell and T.E. Lawrence. Perusing “The English Poets,” he notes Keats’s appropriation of “the Shakespearean spirit,” and gives overdue homage to Tennyson in a penetrating assessment keenly sensitive to the poet’s ingenuous impetuosity and very real greatness. “Mother Russia” gathers knowledgeable appreciations of Pushkin’s profound influence on the 19th-century novel, the unjustly neglected Ivan Bunin (whose “descriptive prose is alive in the same absolute sense as that of D.H. Lawrence”), and those indigenous, ultimately un-translatable great poets Anna Akhmatova and Marina Tsvetaeva. Bayley seems less astute on “American Poetry,” though he responds strongly to Whitman’s infectious ebullience, and memorably pinpoints the elusive John Ashbery’s poetic method as “romantic alchemy.” Few could match his comprehension of 20th-century writing “Out of Eastern Europe”—or have developed the rich variations he works on the observation that “so many European poets, who . . . [endured] the Second World War, have written in consequence a poetry of extreme simplicity and precision”—in revelatory analyses of Paul Celan, Zbigniew Herbert, and Czeslaw Milosz. Further brief pieces praise Stendhal’s salutary egoism, Angela Carter’s inventive feminism, the intellectual symbiosis shared by Henry and William James, and intellectual combat that kept Leo and Sophia Tolstoy together (and apart), and, in a fine ending essay, Gore Vidal’s brilliant memoir Palimpsest.

Bayley is England’s Edmund Wilson, and reading him on reading others truly is an education.

Pub Date: March 1, 2005

ISBN: 0-393-05840-9

Page Count: 512

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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