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THE LOOK OF THINGS

Berger is a Marxist critic who so far eludes sectarian expectations that his writing seems closer in temper to the tradition of Ruskin and Pater — that is to say, a tradition of fine writing suffused with self and appreciation. These essays — on artists, genres, specific cases in many spheres of culture and the arts — appear to have been produced over a fairly long period. One supposes anyway that his discussion, say, of Leger as epic-painter-of-means-of-production, would have preceded an extremely percipient piece on Walter Benjamin, a neglected, profoundly original writer whose ways of conceiving of art in history seem to have influenced Berger's own. Like Benjamin, Berger is never mechanically socio-historical; rather he focuses on the dimension of consciousness that is represented by style — style as a fundamental, certainly legitimate element of communication, as in a brief, brilliant analysis of the Marxian rhetoric of the Eighteenth Brumaire; style as a personal achievement (as in a series of testaments to lives outside the capitalist fold) which alters qualitatively with acceptance and absorption into the cultural trust; stylistic possibility as a measure of general imaginative Lebensraum. Media and genres are treated correspondingly, e.g., the different contingencies of portraiture and photographs. Berger's own mobile, epigrammatically precise style is a proper vehicle for these forays beyond interpretation, though sometimes too it tempts him to make more than necessary of local errands ("At the Zoo"). Whether you see that as a failing depends on your point of view. Diversely rewarding.

Pub Date: Oct. 1, 1974

ISBN: 0670439878

Page Count: -

Publisher: Viking

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Oct. 1, 1974

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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