A visceral debut novel set against the splendor of a national treasure.
This thriller follows four college students as a stalker hunts them on the Appalachian Trail.
Jerry Allen, Diane Cain, Linda Baldwin, and Bill Martin are students from Appalachian State University on their semester break. They’ve decided to hike the Appalachian Trail from Tennessee through North Carolina and into Virginia. As a couple, Diane and Bill have hiked sections of the trail before, but lovers Jerry and Linda are new to the experience. The foursome travels without cellphones, though, which proves to be a dangerous mistake: Diane, while relieving herself away from the group, gets sexually assaulted by a stranger. Bill insists on hunting down the perpetrator, even if they must leave the trail for the deeper woods. When they camp for the night, their wilderness-wise stalker toys with them by circling the camp and throwing firecrackers. Eventually, Bill gets separated from his friends; he has a limited knowledge of the land and finite supplies, so the others must decide whether to search for him or abandon him and save themselves. Diane, meanwhile, harbors a secret that could radically change the whole dynamic of the trip. Later, as exhaustion and fear lead to accidental injuries and deadly weather closes in, the students’ faith in God is tested in ways that rarely happen in everyday life. Author House (So Shall You Reap, 2011, etc.) injects his book with plenty of firsthand experience of the Appalachian Trail, bringing the loveliness of the locale to life (“Brilliant flowers of every color...nestled against the background like splatters of fluorescent paint”). He never shies from detailing his characters’ injuries (“Blood and trapped bowel fluid flowed out, soaking his clothes, resulting in a frozen mass against his skin”), though, or the primitive methods they use to treat them. The young people’s biting quips also feel true-to-life (“Reality was a bitch and in this case it had a name—Diane”). They frequently thank God for small miracles, and by the end, love helps redeem them during the horrifying resolution. Ultimately, House delivers an excellent message about building character through trial.
A visceral debut novel set against the splendor of a national treasure.Pub Date: Jan. 23, 2015
ISBN: 978-1-68058-038-9
Page Count: 448
Publisher: Limitless Publishing, LLC
Review Posted Online: May 12, 2015
Kirkus Reviews Issue: July 15, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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