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THE WAPSHOT CHRONICLE

In a patchwork of family life is the pattern of Captain Leander's belief in the "unobserved ceremoniousness" of life which is a "gesture and sacrament toward the excellence and continuousness of things" and through parts of his diary, episodes in St. Botolph's, at the Wapshots' West Farm (on the New England coast), and in the gropings of his sons, Moses and Coverly, the lineage and heritage come through. Come through from an undated Independence Day to Leander's death after both the boys have left home because of Cousin Honora's financial blackmailing; after Leander has lost, regained and lost again the ferry-boat which was his reason for living; after the daughter — who was not his — of an earlier marriage- has tried to claim him; after his wife has converted the ferryboat into a fussy tearoom and gifte shoppe. Through the years Moses has been dismissed from a Washington top secret job, Coverly has become a part of rocket launching as a Taper and been deserted by his wife, and Moses' marriage to the ward of a distant, wealthy, unpredictable, vengeful widowed cousin has had time to turn from bad and then to good when the old harridan's ramparts burn, and the boys make good with sons to claim Honora's promised inheritance. And since the financial security is based on Wapshot virility, the Wapshots have their interest in women from a basically sexual approach; and since their father believes in the romance and nonsense, the joy and the cockiness of living, theirs is an uncharted course — for Coverly almost turning to homosexuality and Moses trying to maintain some balance in a household of financial dependents. The interludes of Leander's diary and of Honora's disturbances have a tart sting and the whole offers candor and a loving care for men and their concerns in a world tyrannized by women. A rowdy, bawdy, feeling, root-sensed New England gallery, this has its high — and not quite so high — moments for an audience which may suffer shock but never shame. Watch the critics.

Pub Date: June 15, 1957

ISBN: 0060528877

Page Count: 372

Publisher: HarperCollins

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: June 15, 1957

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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