Well researched, but this time Clarkson might better have taken a page from James M. Cain’s insurance classic, Double...

REED’S PROMISE

Heavy-hitter Clarkson whacks a two-bagger rather than cleaning the plates as usual.

The first half perennially promises thrills ahead, and though action does erupt somewhere past the midway point, it’s a salvage job on forced plotting. Forensic account investigator Bill Reed, an FBI agent trained in proving fraud, retires and opens his own far more lively fraud-investigation agency. Reed loses a leg in a Manhattan motorcycle accident on page one, then spends six months depressed, drinking, and letting his staff run his agency while he adjusts to various prosthetics. Then he gets a mysterious letter filled with numbers. It’s supposedly from his cousin, John Boyd Reed, a Down’s syndrome patient at the upstate Ullmann Institute. Alerted that something fishy is going on, Bill drives up to the Institute, forces his way in to his cousin’s bedside. Clarkson (New Lots, 1998, etc.) lines up his heavies, hospital helpers who brutalize John, and slathers on hints that fists and bullets will fly. While unctuous villain Mathew Ullmann alludes and alludes to criminal activity at his institute while talking with his wife, passing these allusions on to the hero puts Clarkson at an impasse. Reed can only intuit fraud and become engaged as an investigator after being roughed up by four hospital thugs, though he defends himself well with his crutch. One wonders what Reed is up to when he orders his best staff member to send him his guns and laptop. Now heavily armed and with a big sidekick as backup, Reed wades into . . . his laptop, setting in motion a complete investigation of Ullmann’s finances. To be sure, plenty of aggression takes place in later chapters, but Clarkson only goes through the motions. The story’s true interest lies in fraud investigation, not bullets.

Well researched, but this time Clarkson might better have taken a page from James M. Cain’s insurance classic, Double Indemnity. Waspish words grip where bullets only thud.

Pub Date: Dec. 17, 2001

ISBN: 0-312-87886-9

Page Count: 320

Publisher: Forge

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 2001

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless...

SPLIT SECOND

Two defrocked Secret Service Agents investigate the assassination of one presidential candidate and the kidnapping of another.

Baldacci (The Christmas Train, 2002, etc.) sets out with two plot strands. The first begins when something distracts Secret Service Agent Sean King and during that “split second,” presidential candidate Clyde Ritter is shot dead. King takes out the killer, but that’s not enough to save his reputation with the Secret Service. He retires and goes on to do often tedious but nonetheless always lucrative work (much like a legal thriller such as this) at a law practice. Plot two begins eight years later when another Secret Service Agent, Michelle Maxwell, lets presidential candidate John Bruno out of her sight for a few minutes at a wake for one of his close associates. He goes missing. Now Maxwell, too, gets in dutch with the SS. Though separated by time, the cases are similar and leave several questions unanswered. What distracted King at the rally? Bruno had claimed his friend’s widow called him to the funeral home. The widow (one of the few characters here to have any life) says she never called Bruno. Who set him up? Who did a chambermaid at Ritter’s hotel blackmail? And who is the man in the Buick shadowing King’s and Maxwell’s every move? King is a handsome, rich divorce, Maxwell an attractive marathon runner. Will they join forces and find each other kind of, well, appealing? But of course. The two former agents traverse the countryside, spinning endless hypotheses before the onset, at last, of a jerrybuilt conclusion that begs credibility and offers few surprises.

Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless concoction.

Pub Date: Sept. 30, 2003

ISBN: 0-446-53089-1

Page Count: 406

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2003

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