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THE FARMER'S SON

CALVING SEASON ON A FAMILY FARM

A deeply felt, unforgettable story that will linger in readers’ imaginations.

A writer returns home to work at his family’s farm in rural Ireland and records day-to-day struggles and triumphs throughout his first season.

In this thoughtfully observed and poignant debut memoir, Connell paints a remarkably authentic portrait of farm life in all its harshness and beauty. His story begins in January as he is about to deliver his first calf on his own. He describes the long, painstakingly intense procedure before he successfully delivered the calf, followed by the equally difficult task of helping the newborn to feed. This experience sets the tone for the engrossing narrative that follows, as Connell recounts the many challenging moments he faced over the next several months. These included the births and deaths of various livestock, endless feeding and cleaning, and protecting the animals from varied and unpredictable forces of nature. “The work is so relentless that I have forgotten I have lived other lives or that other lives exist,” writes Connell. “There is only the yard and cows and the mountain of chores before me.” The author also shares his internal struggle with his identity and family, in particular the difficult ties with his father, who has been mentor and guide and occasionally his harshest critic. Connell returned to the farm following a 10-year absence working as a journalist and film producer and living abroad, all the while preserving a longing for the farm life he left behind and struggling through periods of depression. Though the author vividly depicts the many hardships and grueling labor involved in running a farm, he maintains an open reverence for the intrinsic value of these efforts and a deep compassion for the animals and environment. “Farming,” he writes, “is a walk with survival, with death over our shoulder, sickness to our left, the spirit to our right and the joy of new life in front.”

A deeply felt, unforgettable story that will linger in readers’ imaginations.

Pub Date: May 7, 2019

ISBN: 978-1-328-57799-3

Page Count: 256

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Feb. 27, 2019

Kirkus Reviews Issue: March 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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