Captures the delight of a frigid day.
Fun in sub-freezing conditions.
It is exactly “twenty-three below zero,” Dad announces. Mom leaves, reminding father and son (who narrates) to dress warmly. Donning outdoor garb, the young protagonist also adopts a new nickname: “Freezeman.” Outside, the pair take part in a series of activities, some of which they set up the night before. They watch a helium balloon shrink and popped soap bubbles shed a thin skin. The child uses a frozen banana to hammer in a nail. Boiling water flung from a cup forms a snowy mist; hot maple syrup dropped into snow becomes a candy treat. Back inside, the balloon regains its shape; father and child enjoy the maple candy, along with some hot chocolate, before a roaring fire. The visuals capture the joys of winter. Blocky, printlike art shows the angular figures with berry-blue and pink hair, while clothing, cars, and houses, depicted in neon hues, seem to glow. Sometimes the editorial hand slips, however: The narrator describes putting on a scarf, though the accessory is never depicted. The book doesn’t address safety concerns about venturing out in such extreme weather. The characters’ pale faces are bare, the wind chill is forgotten, and their outdoor time isn’t measured. Still, the joy of winter comes through clearly; many readers will be eager to duplicate the pair’s experiments.
Captures the delight of a frigid day. (information on the activities mentioned) (Picture book. 4-8)Pub Date: Nov. 10, 2024
ISBN: 9781681342948
Page Count: 32
Publisher: Minnesota Historical Society Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...
Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?
The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)Pub Date: Aug. 25, 2015
ISBN: 978-0-7636-6900-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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