by John Curry ‧ RELEASE DATE: June 17, 2018
A gritty, often gross tale of a desperate ne’er-do-well.
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In this debut novel, an alcoholic gambler gets the chance to make money on the other side of the table.
When the housing market collapses and destroys Tim’s dream of flipping an old Philadelphia dwelling—and the portion of his savings he spent to acquire it—he abandons the property to his creditors and moves to Atlantic City to try “to play poker for a living.” Turns out that this is easier said than done, as Tim learns once he starts running bad. “What does ‘running bad’ mean?” he asks readers. “It means losing $50,000 in just under three months at middle stakes poker. It means a $2700 chicken sandwich—that’s the chicken sandwich you eat right after you’ve just lost $2700 right before lunchtime.” He’s also gained 30 pounds and developed a crippling addiction to alcohol while routinely entertaining ideas of drinking himself to death as a means of escaping his troubles. He tries to stay out of Atlantic City by squatting in his own foreclosed row house in Philadelphia, but he’s driven away when a neighborhood flood sends “raw sewage gurgling up through the basement’s drainage system” and he’s beset by a biblical plague of flies. He returns to Atlantic City and has just hit rock bottom when he gets an offer from “the world’s most inconspicuous loan shark,” Brian: running an underground card game in midtown Manhattan. It’s illegal and it’s rigged against the players—just like the casinos, Wall Street, and the rest of America. Tim agrees and is quickly dropped into a world of rakes, vigs, rich college kids, vague threats, and Russian floor men, where everything is too expensive and fools are easily parted with their money. For once Tim is on the winning side of a hustle—at least until, as happens with every hustle, the floor collapses out from under him. Curry’s prose deftly captures Tim in all his down-and-out glory. Like most literary drunks, he’s equal parts philosopher (“The secret behind all class conflict and social instability in the Western hemisphere lies within the walls of this American public convenience store”) and wince-inducing cautionary tale (“After about six more hours of trying to blind myself, I plod my way to the bathroom, as it seems the safest, most logical place to have a seriously dark moment”). Tim is offended by the casual racism of others, though he is a frequent source of it, and he rarely meets a woman who doesn’t cause him to go on at some length about the ways in which she disgusts him. Tim’s misadventures evoke the long tradition of vagabond literature practiced by writers like George Orwell, Hunter S. Thompson, Denis Johnson, and others. While Tim’s story will be compelling enough for fans of that genre, Curry does not successfully excavate enough humanity from the protagonist’s fringe experiences to warrant all the misanthropy and exploitative leering. The connections between the 2008 financial crisis, gambling, and addiction are fertile, but the author doesn’t quite tie them together in a satisfying way.
A gritty, often gross tale of a desperate ne’er-do-well.Pub Date: June 17, 2018
ISBN: 978-1-73241-121-0
Page Count: 160
Publisher: The Okie Doke Book Publishing Corporation
Review Posted Online: Feb. 4, 2019
Review Program: Kirkus Indie
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BOOK REVIEW
by Alice Walker ‧ RELEASE DATE: June 28, 1982
A lovely, painful book: Walker's finest work yet.
Walker (In Love and Trouble, Meridian) has set herself the task of an epistolary novel—and she scores strongly with it.
The time is in the Thirties; a young, black, Southern woman named Celie is the primary correspondent (God being her usual addressee); and the life described in her letters is one of almost impossible grimness. While young, Celie is raped by a stepfather. (Even worse, she believes him to be her real father.) She's made to bear two children that are then taken away from her. She's married off without her consent to an older man, Albert, who'd rather have Celie's sister Nettie—and, by sacrificing her body to Albert without love or feeling, Celie saves her sister, making it possible for her to escape: soon Nettle goes to Africa to work as a Christian missionary. Eventually, then, halfway through the book, as Celie's sub-literate dialect letters to God continue to mount (eventually achieving the naturalness and intensity of music, equal in beauty to Eudora Welty's early dialect stories), letters from Nettie in Africa begin to arrive. But Celie doesn't see them—because Albert holds them back from her. And it's only when Celie finds an unlikely redeemer—Albert's blues-singer lover Shug Avery—that her isolation ends: Shug takes Celie under her wing, becomes Celie's lover as well as Albert's; Shug's strength and expansiveness and wisdom finally free up Nettie's letters—thus granting poor Celie a tangible life in the now (Shug's love, encouragement) as well as a family life, a past (Nettie's letters). Walker fashions this book beautifully—with each of Celie's letters slowly adding to her independence (the implicit feminism won't surprise Walker's readers), with each letter deepening the rich, almost folk-tale-ish sense of story here. And, like an inverted pyramid, the novel thus builds itself up broadeningly while balanced on the frailest imaginable single point: the indestructibility—and battered-ness—of love.
A lovely, painful book: Walker's finest work yet.Pub Date: June 28, 1982
ISBN: 0151191549
Page Count: 316
Publisher: Harcourt Brace Jovanovich
Review Posted Online: Oct. 6, 2011
Kirkus Reviews Issue: June 1, 1982
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by Alice Walker ; edited by Valerie Boyd
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by Alice Walker
BOOK REVIEW
by Alice Walker
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BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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