The prolific, ever-readable John D. returns to the subject of unscrupulous land-development deals on the Gulf Coast; and this time he keeps things far leaner and sharper, without the emphasis on romantic/sentimental subplots that made Condominium a bit bland. . .and so widely popular. The oddly sympathetic villain here is yearning wheeler-dealer Tuck Loomis, a near-60 womanizer who has almost achieved the wealth and respectability of a full-fledged tycoon. All he needs is for one more big deal to come through: his Bernard Island scam. Loomis, you see, bought this island on the Mississippi Gulf Coast, began an elaborate (largely phony) development scheme, just waiting for the US Park Service to declare the land part of the National Seashore. And now Loomis is awaiting the trial that will determine how much the federal government will have to pay him for appropriating his land and mining his supposedly grand development-plan. While Loomis dispenses a few more bribes and gloats in anticipation, however, real-estate man Wade Rowley—whose firm handled the sales of Bernard Island plots for Loomis—realizes that many of those land-sales agreements were fraudulent. So, being a noble hero much like the one in Condominium, Wade turns his evidence over to a US attorney—despite the ragings of Wade's shady partner Bern Gibbs (a Loomis stooge). And when Loomis' desperate efforts at cover-up lead to the inadvertent murder of pathetic partner Bern, Wade does all he can to bring about Loomis' total downfall—with crucial help from one of Loomis' ex-girl. friends. MacDonald's ecology message is, again, rather heavily laid on. And one or two of the compressed subplots—e.g., the adolescent turmoil of Wade's teen-age son—seem extraneous. Overall, however, MacDonald fills out his essentially simple plot with just enough twists and just the right textures: the quirky pathos of the assorted, uncliched bad guys; the edgy touches that keep the supporting players (Wade's devoted wife, Bern's ambitious mistress) from becoming soap-opera types; the resonant ironies—like the fact that both mastermind Loomis and one of the sad bribe-takers are taking care of stroke-victim relatives. Slow to get started, tougher and darker and slighter than Condominium—but ultimately satisfying and quietly compelling.

Pub Date: June 16, 1986


Page Count: -

Publisher: Knopf

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1986

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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