An enjoyable novel that should spark important discussion.
A speculative thriller about the effects of global warming.
Terrestrial temperatures will soon reach the point of no return, and authorities come up with a cockamamie scheme: Populate the stratosphere with sulfur particles to filter out much of the sunlight and cool things off. It’s called the Cocoon and covers the Northern Hemisphere, which is all the powers that be care about. The result is an utter societal and ecological disaster beginning with the Great Cull in 2039, with rising oceans and the deaths of millions of people and countless trees and animals. Social media collapses. No one can see the sun, the moon and stars, or the sky. And if that isn’t crazy enough, authorities ban the color blue so people will forget what they’re missing. A Color Guard tries to kill all birds with blue feathers and universally prohibits the display of Color X, as the 470-nanometer wavelength is officially called. Even the American flag is forbidden. The leader of this police state is a man named Messian, an obvious hint at "messianic." Meanwhile, a young man named Yon travels to South America and learns, among other things, that shadows exist. The story spans decades as people try to figure out how to deal with the hot mess they’ve made of the world, and then they make it worse. The Cocoon “was supposed to save everything,” but clearly it’s one big screw-up. Now people wonder, “What was it like before they stole the sky?” Some plot elements seem straight out of a thriller writer’s handbook: a scientist’s suspicious death down an icy moulin, requisite bad guys, a Resistance with an unexpected connection to the Power. It’s a justifiably bleak novel and a rather preachy one: Stop polluting now, folks, or this is what you could be in for. And there’s an attempted execution by hanging that—gotta say it—is quite a stretch. The ideas of launching sulfur-laden rockets to Save Us All and of banning blue seem implausible, but they are entertaining. Meanwhile, the question remains: What will we do when Earth heats beyond its tipping point?
An enjoyable novel that should spark important discussion.Pub Date: May 14, 2024
ISBN: 9781648210242
Page Count: 408
Publisher: Arcade
Review Posted Online: April 17, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Sharp, funny and thrilling, with just the right amount of geekery.
When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.
One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.
Sharp, funny and thrilling, with just the right amount of geekery.Pub Date: Feb. 11, 2014
ISBN: 978-0-8041-3902-1
Page Count: 368
Publisher: Crown
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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