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FINDING ORION

A smoothly written family adventure that evokes both Willy Wonka and The Wonder Years.

The casket at a strangely festive funeral proves to contain not the deceased but a clue that leads the bereaved family on an epic scavenger hunt.

Rion Kwirk, 12, regards his grandfather with wary fascination. Papa Kwirk, a hard-living biker and Vietnam War vet, and Rion’s dad, a Ph.D. candy-factory chemist, were semi-estranged. Rion’s planetarium-director mom maintained peace on Papa Kwirk’s short, friction-filled visits. When news of Papa Kwirk’s death arrives via singing clown, the family drives to Greenburg, Illinois, where his sister, Gertie has organized a “funneral.” Rion’s older sister, Cass, 16, brings her pet python, Delilah (Papa Kwirk was a fan); his younger sister, Lyra, 10, brings a hefty vocabulary. Edgy with Gertie and uncomfortable in his hometown, which carries bad memories, Dad’s unsettled by the funneral. Still, curious about the crowd showing up to laud Papa Kwirk, Dad agrees to the hunt. Reflective Rion’s an outlier among the aptronymic Kwirks. A convincing preteen when interacting with his sisters and peers, he sounds decades older—wry and nostalgic by turns—when pondering life. There’s a time-warp feel to Rion’s insular, mostly white world (Tasha, Rion’s possible crush, is dark, race unspecified). Recurring jokes include other cultures’ burial practices and Rion’s fantasy of being orphaned and adopted. The Kwirks’ dead-of-night adventure digging up a stranger’s backyard prompts gun jokes but not fear.

A smoothly written family adventure that evokes both Willy Wonka and The Wonder Years. (Fiction. 8-12)

Pub Date: May 7, 2019

ISBN: 978-0-06-264389-6

Page Count: 368

Publisher: Walden Pond Press/HarperCollins

Review Posted Online: March 2, 2019

Kirkus Reviews Issue: March 15, 2019

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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BUILDING 903

A successful call for creating and imagining, even if the story itself falls short.

In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.

Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.

A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)

Pub Date: Sept. 29, 2026

ISBN: 9780063515109

Page Count: 240

Publisher: Clarion/HarperCollins

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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