If this slice of Grand Guignol doesn’t give you the yips, you’re probably yip-proof. Your loss.
The title says it all: juge d’instruction Henri Bencolin outdoes himself in this 1932 yarn, perhaps the most atmospheric of all Carr’s floridly atmospheric mysteries.
Bencolin and his American sidekick, Jeff Marle, have come to the Musée Augustin following the trail of Odette Duchêne, whose father, a Cabinet minister, shot himself 10 years ago. Odette’s fiance, Capt. Robert Chaumont, saw her go into the waxworks, but she was never seen again until her body was fished from the Seine. Searching for clues to her death, Bencolin and Marle find something even more shocking: the corpse of Odette’s friend Claudine Martel nestled in the arms of the Satyr of the Seine, one of the Musée Augustin’s signature attractions. A telltale scrap of paper leads the sleuths to Etienne Galant, the owner of the neighboring Club of Coloured Masks, who retired from teaching English literature at Christ Church College, Oxford, to blackmail high-society contemporaries like Odette’s father whose depravity made them irresistible targets. Any neighborhood that features both a waxworks and a house of debauchery guarantees the creeps, and the denouement features one of the weirdest, wildest confrontations ever between the detective and the murderer. An earlier, lesser bonus story from Carr’s college days, “The Murder in Number Four,” sets Bencolin the task of figuring out who strangled a notorious diamond smuggler without being seen entering or leaving his compartment aboard the Blue Arrow train from Dieppe to Paris.
If this slice of Grand Guignol doesn’t give you the yips, you’re probably yip-proof. Your loss.Pub Date: Nov. 9, 2021
ISBN: 978-1-4642-1543-8
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Demands a careful reading and knowledge of the Victorian lady detective’s history.
A mystery that unwinds in reverse adds new twists to Thomas’ Sherlock Holmes–inspired series.
The new Charlotte Holmes novel continues the tense chess game that the gender-flipped Sherlock is playing with Moriarty and an incarcerated acquaintance turned villain. The events are narrated as a series of flashbacks interspersed with an interrogation in which Charlotte is under suspicion of murder. While her friend Inspector Treadles nervously observes, a senior policeman grills the unflappable detective about her recent movements. Even as she gives him a bland account of why she’s crisscrossed the English Channel in recent weeks, readers get drips of information about what she and her family and friends have been up to, all building to a reveal. Two other seemingly unrelated mystery subplots enter the picture, but it’s evident that new events and characters are connected to familiar ones from the past. With allusions to previous novels in the Lady Sherlock series and hat tips to Arthur Conan Doyle’s “The Final Problem” and the Guy Ritchie movie Sherlock Holmes: A Game of Shadows, the plot can be hard to follow, especially for new readers. The consistently well-drawn characters serve as an anchor, and the occasional glimpse of Charlotte’s love for her family and her lover, Lord Ingram Ashburton, adds a needed touch of warmth to the clever but clinical jigsaw structure of the mystery.
Demands a careful reading and knowledge of the Victorian lady detective’s history.Pub Date: June 25, 2024
ISBN: 9780593640432
Page Count: 352
Publisher: Berkley
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A smart and engaging literary thriller that bears down too hard on its themes.
At the home of an eccentric millionaire, a woman discovers out-of-the-ordinary events.
When her husband is invited to finish writing his book at the island home of a reclusive millionaire, Anna is relieved: If he sells it, they’ll be able to keep their Bronx apartment and she won’t have to go back to work at the laundry. It’s 1918, and Charles Fort—based on a real-life figure—is hard at work on a book about unexplained phenomena, such as objects falling from a clear sky: frogs, for example, or even bits of flesh, or blood. If Anna has doubts about the legitimacy of his research, she keeps them to herself. In any case, when the millionaire Claude Arkel offers the couple a place to stay for the winter, they eagerly accept. Almost immediately, though, things seem to be off. Arkel runs a school for wayward girls, and three students are missing. Meanwhile, there’s no sign of Arkel himself, and with the Spanish flu raging in the outside world, the Forts are stuck in quarantine. Bakis’ latest novel has the pacing and suspense of a smart literary thriller: It’s almost impossible to put down once you’ve started it. But Bakis can be heavy-handed in her treatment of the themes that undergird her story—in this case, women who support ambitious men. That’s not to say Bakis’ case doesn’t hold water, but she strikes the same note again and again in a way that is more repetitive than satisfying. So, for example, when the Forts first arrive on Arkel’s island, and Charles observes that the grand house is “modeled on the Château de Chambord in the Val de Loire” and Anna responds, “I know, I’m the one who showed you the article,” the mansplaining moment isn’t nearly as funny as it was apparently intended to be; it's just frustrating, in a teeth-grinding way.
A smart and engaging literary thriller that bears down too hard on its themes.Pub Date: Feb. 20, 2024
ISBN: 9781324093534
Page Count: 320
Publisher: Liveright/Norton
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK REVIEW
PERSPECTIVES
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