With an increasingly beloved detective crew, this Victorian mystery offers thrills and sharp insights into human behavior.

MURDER ON COLD STREET

Alongside brief pauses for cake, kisses, and intimate confessions, Charlotte Holmes uses her considerable mind to solve two murders and save an innocent man.

Having barely recovered from a heist in France, told in The Art of Theft (2019), private detective Charlotte Holmes is asked to assist Inspector Treadles, an acquaintance from Scotland Yard who has been arrested for killing two men. His wife, Alice, is terrified for his life but hiding something, he himself is keeping mum, and the evidence looks damning. As the clock ticks, Holmes must swiftly track the preceding events, assisted by her old friend and recent lover Lord Ingram; her companion, Mrs. Watson; and Mrs. Watson's niece. The novel is sure-footed, its puzzle the most tightly structured and enjoyable of the whodunits in Thomas’ series about the gender-swapped sleuth. As the group questions witnesses and ferrets out motives of potential suspects, the narrative changes rapidly from scene to scene around wintry London and from memory to memory. The telling shifts of speakers’ bodies punctuate conversations, distilling emotions and speech into physicality. The novel also amplifies the series’ theme of the assaults and challenges women face in a world that disadvantages them personally and professionally. More notably, it foregrounds the actions of numerous women to do so. Each is richly drawn, with her own way of resisting societal limitations regarding sex, ethnicity, and class. Holmes herself is as adept at crime-solving as ever, but when it comes to erotic love, she is still considering the ramifications of getting what she has desired for years.

With an increasingly beloved detective crew, this Victorian mystery offers thrills and sharp insights into human behavior.

Pub Date: Oct. 6, 2020

ISBN: 978-0-451-49249-4

Page Count: 352

Publisher: Berkley

Review Posted Online: June 17, 2020

Kirkus Reviews Issue: July 1, 2020

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Perhaps A-list screenwriters will be able to spin TV gold from this sketchy treatment.

THE LIONESS

An actress and her entourage are kidnapped by Russians in Bohjalian’s uneven thriller.

In 1964, Hollywood’s gossip rags are agog as movie star Katie Barstow marries gallerist David Hill and takes her inner circle along on her honeymoon. And an adventuresome honeymoon it is—on safari in the Serengeti with aging big-game hunter Charlie Patton, who once helped Hemingway bag trophies. But Katie is not the star of this ensemble piece. The populous cast—a who’s who at the beginning is indispensable—includes Katie’s publicist, Reggie Stout; her agent, Peter Merrick; her best friend, Carmen Tedesco, a supporting actress who plays wisecracking sidekicks; and Terrance Dutton, Katie's recent co-star, a Black actor who's challenging Sidney Poitier's singularity in Hollywood. With obvious nods to Hemingway’s worst fear—masculine cowardice—Bohjalian adds in Felix Demeter, Carmen’s husband, a B-list screenwriter who reminds his wife of Hemingway’s weakling Francis Macomber. Felix seems a superfluous double of David, who feels inadequate because Katie is the breadwinner and his father is CIA. Then there’s Katie’s older brother, Billy Stepanov, whose abuse at the hands of their mother shaped the psychologist he is today; Billy’s pregnant wife, Margie; and Benjamin Kikwete, an apprentice safari guide. Thus, a proliferation of voices whose competing perspectives fragment rather than advance the story. The kidnapping plot seems less designed to test each character’s mettle than to exercise Bohjalian’s predilection for minute descriptions of gore. The most heartfelt portrayal here is of the Serengeti and its flora and fauna, but none of the human characters net enough face time to transcend their typecasting. The motives behind the kidnapping might have lent intrigue to the proceedings, but foreshadowing is so slight that the infodump explainer at the end leaves us shocked, mostly at how haphazard the plot is.

Perhaps A-list screenwriters will be able to spin TV gold from this sketchy treatment.

Pub Date: May 10, 2022

ISBN: 978-0-385-54482-5

Page Count: 336

Publisher: Doubleday

Review Posted Online: Feb. 9, 2022

Kirkus Reviews Issue: March 1, 2022

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Generations may succeed generations, but Sandford’s patented investigation/action formula hasn’t aged a whit. Bring it on.

THE INVESTIGATOR

A domestic-terrorist plot gives the adopted daughter of storied U.S. Marshal Lucas Davenport her moment to shine.

Veteran oilman Vermilion Wright knows that losing a few thousand gallons of crude is no more than an accounting error to his company but could mean serious money to whomever’s found a way to siphon it off from wells in Texas’ Permian Basin. So he asks Sen. Christopher Colles, Chair of Homeland Security and Government Affairs, to look into it, and Colles persuades 24-year-old Letty Davenport, who’s just quit his employ, to return and partner with Department of Homeland Security agent John Kaiser to track down the thieves. The plot that right-winger Jane Jael Hawkes and her confederates, most of them service veterans with disgruntled attitudes and excellent military skills, have hatched is more dire than anything Wright could have imagined. They plan to use the proceeds from the oil thefts to purchase some black-market C4 essential to a major act of terrorism that will simultaneously express their alarm about the country’s hospitality to illegal immigrants and put the Jael-Birds on the map for good. But they haven’t reckoned with Letty, another kid born on the wrong side of the tracks who can outshoot the men she’s paired with and outthink the vigilantes she finds herself facing—and who, along with her adoptive father, makes a memorable pair of “pragmatists. Really harsh pragmatists” willing to do whatever needs doing without batting an eye or losing a night’s sleep afterward.

Generations may succeed generations, but Sandford’s patented investigation/action formula hasn’t aged a whit. Bring it on.

Pub Date: April 12, 2022

ISBN: 978-0-593-32868-2

Page Count: 400

Publisher: Putnam

Review Posted Online: Jan. 26, 2022

Kirkus Reviews Issue: Feb. 15, 2022

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