With an increasingly beloved detective crew, this Victorian mystery offers thrills and sharp insights into human behavior.
Alongside brief pauses for cake, kisses, and intimate confessions, Charlotte Holmes uses her considerable mind to solve two murders and save an innocent man.
Having barely recovered from a heist in France, told in The Art of Theft(2019), private detective Charlotte Holmes is asked to assist Inspector Treadles, an acquaintance from Scotland Yard who has been arrested for killing two men. His wife, Alice, is terrified for his life but hiding something, he himself is keeping mum, and the evidence looks damning. As the clock ticks, Holmes must swiftly track the preceding events, assisted by her old friend and recent lover Lord Ingram; her companion, Mrs. Watson; and Mrs. Watson's niece. The novel is sure-footed, its puzzle the most tightly structured and enjoyable of the whodunits in Thomas’ series about the gender-swapped sleuth. As the group questions witnesses and ferrets out motives of potential suspects, the narrative changes rapidly from scene to scene around wintry London and from memory to memory. The telling shifts of speakers’ bodies punctuate conversations, distilling emotions and speech into physicality. The novel also amplifies the series’ theme of the assaults and challenges women face in a world that disadvantages them personally and professionally. More notably, it foregrounds the actions of numerous women to do so. Each is richly drawn, with her own way of resisting societal limitations regarding sex, ethnicity, and class. Holmes herself is as adept at crime-solving as ever, but when it comes to erotic love, she is still considering the ramifications of getting what she has desired for years.
With an increasingly beloved detective crew, this Victorian mystery offers thrills and sharp insights into human behavior.Pub Date: Oct. 6, 2020
ISBN: 978-0-451-49249-4
Page Count: 352
Publisher: Berkley
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
PERSPECTIVES
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A paragon of the locked-room historical mystery.
A vainglorious viscount is murdered in this 1910-set mystery—Montgomery’s first novel for adults and the launch of the Stockingham & Pike series.
As the novel opens, narrator Stephen Pike, not yet 20 years old and fresh from a two-year stint at a London prison, finds himself in Cornwall at World’s End, taking a job as a second footman at a remote manor house. (So far, so Downton Abbey.) He arrives at a time of high anxiety: Lord Stockingham-Welt has seen to it that the windows of Tithe Hall have been boarded up in anticipation of Comet Halley’s appearance—“This time, it will be the end of the world,” he insists. The comet spares the earth, but the night doesn’t spare the viscount: The next morning, he’s found dead in his study, which was locked from the inside, with an ancestral crossbow’s bolt in his eye. Who better than un-alibied recent inmate Stephen to take the blame for the murder? To Stephen’s aid comes Miss Decima Stockingham, the viscount’s elderly great-aunt, who makes Downton Abbey’s Violet Crawley seem like an earth mother. A frustrated scientist, Miss Decima hated her late nephew—“Conrad stole my inheritance, my sister, my career…everything”—but she hates Stephen’s victimization more. The book’s ingenious reveal, which hinges on a long-buried Stockingham family secret, is reached through a combination of Miss Decima’s scientific-inquiry-fueled deductions and Stephen’s precocious puzzling (the story features both a hedge maze and a spot-the-difference-style brainteaser). The odd-couple intergenerational sleuthing duo is a welcome new arrival on the historical-mystery scene, with Stephen’s squeamishness about Miss Decima’s filterless fuming a mainstay of the book’s unremitting humor (Stephen: “I’d never heard language like it…and I’d just spent the last month sharing a bunk with a man called Filthy Mick”).
A paragon of the locked-room historical mystery.Pub Date: Jan. 6, 2026
ISBN: 9780063458772
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
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