MAN WITH A PAN

CULINARY ADVENTURES OF FATHERS WHO COOK FOR THEIR FAMILIES

Inspirational, heartwarming tales of fathers in the kitchen.

Society may still dwell on gender and assign male or female roles to family tasks, but gender roles are changing, and this compilation of stories reflects that metamorphosis. Donohue, a cartoonist and editor at the New Yorker, asked 21 other fathers of varying backgrounds to share their cooking adventures, go-to cookbooks and favorite recipes, ranging from Grilled Burgers with Herb Butter to Afrikaner staple Vegetarian Bobotie. Like most collections, the quality of the writing varies. Readers may tire of tale after tale of kitchen mishaps, but the best pieces are surprising and enlightening. Highlights include Jim Harrison’s “Chef English Major,” a fantastic riff on food and cooking in America, which takes chefs to task for overuse of rosemary, and Stephen King’s "On Cooking," an essay on how he learned the ins and outs of the kitchen after his wife lost her sense of taste and smell. There's romance here, too. Ghanaian writer and musician Mohammed Naseehu Ali tells of how cooking helped to heal his father’s heart in "The Way to a Man’s Heart." Matt Greenberg’s "The Ribbing," written in screenplay style, is a welcome piece in which a grill adopts anthropomorphic qualities. New Yorker–style cartoons garnish the pages, and the overall style of the book has that same urban feel. Despite a few lulls, an engaging collection that should inspire comfort for the man who cooks while his baby bangs on the pots and pans.

 

Pub Date: May 17, 2011

ISBN: 978-1-56512-985-6

Page Count: 320

Publisher: Algonquin

Review Posted Online: May 4, 2011

Kirkus Reviews Issue: May 15, 2011

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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