Gardner, best known for his airheaded and highly successful pastiches of Superman James Bond, here completes the marvelous generational trilogy begun with The Secret Generations and The Secret Houses: the elegant, sedate, intricate, richly layered story of those inveterate British agents, the Railtons. A rumor soon after the 1964 funeral of Sir Caspar Railton, the patriarch of the clan, hinting that Caspar may have been a Soviet agent for the past 30 years, starts his nephew Donald (Naldo), of the Secret Information Service, on a quest to clear Caspar's name and burn the rumor's source. Leaving his long-suffering wife Barbara and his children and dropping out of sight with his American cousin, the CIA agent Arnold Farthing, Naldo soon finds himself inside the USSR for a period that stretches to five years—and culminates in a shattering though long-expected betrayal. By the time he returns, the SIS has long since given up on him as another Soviet agent, he has married the daughter of his uncle's archenemy (the legendary Russian agent Spatukin), and he has learned that Caspar had laid a posthumous trail of suspicion against himself back in the 30's as part of a deep plot to root out Soviet sympathizers in the SIS. As it becomes clear that Caspar's plan is to trap another Soviet agent too close to finger, Naldo works in alliance with his dead uncle to uncover the traitor within his own clan—which, as readers of the earlier Railton stories will know, has always been honeycombed with double and triple agents. Throughout, Gardner constantly links the saga of the Railtons to public history by dark hints about Cuba, Dallas, and Vietnam before Naldo finally unmasks the traitor at the price of decimating his family. A wonderfully absorbing and moving conclusion to the Railton trilogy. Given the evidence here, can't someone get an injunction against the return of James Bond?
Pub Date: April 19, 1989
ISBN: 399-13397-6
Page Count: -
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1989
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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