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HOOP ROOTS

A creative, rambling blend of memoir, fiction, and essay.

Novelist Wideman (The Cattle Killing, 1996, etc.) uses basketball as a doorway through which to glimpse black manhood.

Probing his memories and childhood for a larger meaning, as he did in such previous memoirs as Fatheralong (1994), Wideman focuses on basketball as a thread that ties together his past and present. It’s his present-day decision to stop playing that takes author and readers back to the summer when he first learned the game. With his father absent and his grandfather dead, the boy went to the basketball court to find what his mother and grandmother could not provide. In his interpretation (thankfully free of the hokum baseball seems to inspire in writers), playground games were rites of passage: not only did players measure their physical growth against others, they established seniority and passed on rules and etiquette that became marks of belonging. This is not a conventional memoir. Wideman also includes a paradigmatic short story entitled “Who Invented the Jump Shot (A Fable)” about a black dimwit who invents CPR only to be hung for touching a white woman; an argument for basketball as folk art; and a call to rename his childhood playground for two local legends. The latter is a particularly effective piece: Wideman makes archetypal giants of men already born large enough to excel at basketball, and in calling for a new name he looks forward to a future with black-defined meaning while evoking the past of Frederick Douglass, Sojourner Truth, and Malcolm X. Each chapter displays Wideman’s range as a writer and gives the text a richness that the well-trod field of memoir could not provide alone. He takes a lot of risks, but not always successfully. At points the narrative is needlessly vague and staccato, and Wideman’s interpretations of basketball are sometimes clouded by his love of the game. Still, a few missed shots are acceptable in both basketball and books.

A creative, rambling blend of memoir, fiction, and essay.

Pub Date: Oct. 10, 2001

ISBN: 0-395-85731-7

Page Count: 224

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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