by John Edgar Wideman ‧ RELEASE DATE: Nov. 15, 2016
A book seething with the passion and sense of outrage behind the Black Lives Matter movement that also traces specific roots...
The present illuminates the past—but can’t provide resolution—in this generation-spanning meditation on injustice.
Wideman (God’s Gym, 2005, etc.) initially conducted his research to inform some fiction focusing on Emmitt Till, the 14-year-old boy who was kidnapped and murdered in 1955 for allegedly whistling at a white woman. “Though today Emmett Till is generally viewed as a civil rights martyr,” writes the renowned author, “the shabby trial that exonerated his killers, and the crucial role played by Till’s father in the trial have largely disappeared from the public’s imagination.” It is the life and death of father Louis Till that obsesses Wideman, in a manner that blurs the distinction between fiction and nonfiction. During World War II, Louis was executed for rape and murder in Italy, a case based on another black soldier’s turning informant to escape prosecution and on shaky testimony from Italian women. Even after Emmitt’s accused murderers were acquitted, there had been the opportunity to try them on the charge of kidnapping, until a supposedly confidential file on the hanging of Louis became public knowledge: “With this information about Emmitt Till’s father in hand, the Mississippi grand jury declined to indict…for kidnapping.” There are many layers of meaning in this book, especially regarding the identification of Wideman with Emmitt, both of them 14 when the author saw a photo of the dead boy’s battered face, and the narrative expands into a meditation on black fathers and sons, the divide and the bonds, the genetic inheritance within a racist society. The author also explores the relationship between truth and fiction, since he believes the case against Louis can be read as fiction, and he composes his own fictions to counter it. He suggests that Louis was mainly guilty “of being the wrong color in the wrong place at the wrong time” while admitting that he has no more proof than military officials did.
A book seething with the passion and sense of outrage behind the Black Lives Matter movement that also traces specific roots of the movement’s genealogy.Pub Date: Nov. 15, 2016
ISBN: 978-1-5011-4728-9
Page Count: 224
Publisher: Scribner
Review Posted Online: Sept. 5, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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