A brisk and readable fantasy tale that casts a familiar spell.
In this first YA fantasy novel in a series, Forrester (Empire Awakening, 2018, etc.) tells the story of a teen warrior-in-training searching for his family members across a magical realm.
Fifteen-year-old twin brothers Jeno and Chiro are students at Castle Maarn, where their father, Gen. Thanadol, sent them to be trained as rangers by the priests of the god Tanir. One night, the twins awaken after having a nightmare about their mother—from whom their father took them away at age 4; in it, she’s enslaved by an evil wizard in the magical Realm of Sosaram. Jeno shrugs it off and goes back to sleep, but Chiro sneaks away to enter a nearby cave that, according to a gnome they recently met, separates their world from Sosaram. As Jeno angrily rushes to catch up with Chiro, he thinks that “His brother must be out of his mind or afflicted by some charm. Every righteous human knew that magical creatures tricked mortals down paths leading to their doom. It was a core tenet of their faith.” Jeno steps through the portal and is transported to a beautiful world of forests and flowers, although he knows that he must be careful not to be corrupted by its magic. Sosaram proves to be more than just picturesque gardens, however; it’s also a land that’s suffering from war and blight, where elves and dwarves worship ancient gods, and dragons rule the skies. With the help of his best friend (and secret crush) Freyia, as well as some new acquaintances, Jeno pursues his sibling across the dynamic landscape. It later turns out that Sosaram has many surprises in store for Jeno, including one involving his mother that will change everything that he believed about his religion—and about himself. Forrester’s prose is spirited and propulsive, ensuring that readers feel the same thrills and scares that his characters do: “It was a dragon…gazing directly at him. He could feel a faint pressure in his mind, something reaching, something pushing, something calling out to him. The sensation was maddening.” In terms of worldbuilding, characters, and plot, the novel stays in the familiar territory of sword-and-sorcery fantasy, with the requisite YA concerns of parentage and responsibility. Jeno is a bit of a spoilsport, but the supporting cast—including the aforementioned Freyia; Shani, a wood-elf healer who’s willing to cut off her own finger to save a stranger; and Karn, a loudly dressed half elf known as the “king of these streets”—provides more enjoyable companionship. The religious angle, which pits the magical polytheism of Sosaram against the anti-magic monotheism of Jeno’s world, adds another layer of tension, but it’ll be easy for readers to predict the outcome of that struggle. The breakneck pacing, after the exposition-choked opening chapter, consistently pulls readers forward and quickly immerses them in the world’s politics and conflicts. Aficionados of YA fantasy should enjoy this offering and the sequels that are sure to follow.
A brisk and readable fantasy tale that casts a familiar spell.Pub Date: April 8, 2019
ISBN: 978-1-09-160682-1
Page Count: 364
Publisher: Time Tunnel Media
Review Posted Online: June 7, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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