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OUR IMMIGRANTS' SON

A well-researched but rambling family account and guide.

A debut work combines an epic prose poem about the lives of the writer’s Irish immigrant ancestors with a manual on how to narrate a family history.

“When we tell our story, we also give voice to our family’s values,” writes Murphy in his introduction. This prose poem about the author’s great-grandfather Michael begins with the man’s parents, Patrick and Mary, immigrating to Boston from County Waterford, Ireland, in 1845. The first chapter, “An Cinneadh,” meaning “The Decision” in Irish Gaelic, is a “standalone and self-contained prose poem” that the author later incorporated into this book, reimagining their sea voyage to the New World. After settling in the outskirts of Boston, Patrick found work as a stonemason and the couple had seven children, one of whom was Michael. Although Murphy’s research stretches across generations of his family history, Michael’s story is central, detailing his 1864 enlistment in the Union Army to serve in the Civil War and his later ascension to the role of chief of police of Lawrence, Massachusetts, and also chief mills inspector for the city’s textile industry. The author also records how other family members went on to join the military, serving in World War I and Vietnam. The second part of the book acts as a brief guide on “how you can write your family story,” addressing issues such as “Why write about the past?”; approaches to research; and how to creatively fill in gaps in knowledge.

The intriguing story of the Murphy family’s carving out its place in the New World is one that many immigrants will find familiar. Michael’s tale reveals an impressive depth of research, drawing on family photographs and interviews and even delving into Lawrence Police notices to examine cases that he may have been involved in at the time. Unfortunately, a great deal of the account involves speculation. The author uses the words may have repeatedly and pads out the narrative by presenting anecdotes from the wider immigrant experience. This is forgivable on occasion, but the frequency of reference book–like passages depersonalizes an intentionally personal story: “Because it had low value as a commercial export food, the potato had long been considered food for Ireland’s poorest, leading to the nickname of ‘potato people’ for the struggling lower class.” This language betrays what is expected from a prose poem. Indeed, Murphy’s descriptive skills sometimes lack poetic creativity: “Mary was a strong woman”; “It was clear Patrick was a strong man.” The narrative is also jumbled and repetitive. The opening chapter chronicles Patrick and Mary’s sea voyage. The author then goes over the same ground by discussing the voyage again midway through the text. The “how to” part of the book is similarly digressive. Although it enthusiastically encourages others to explore their ancestral histories, the manual lingers on trivial subjects, such as the use of the Oxford comma and the importance of mentioning family pets. This work will prove a vital and highly informative document for the author’s family. Still, the volume may struggle to attract a wider audience.

A well-researched but rambling family account and guide.

Pub Date: Aug. 14, 2020

ISBN: 979-8-67-547856-9

Page Count: 434

Publisher: Self

Review Posted Online: Jan. 20, 2021

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MARK TWAIN

Essential reading for any Twain buff and student of American literature.

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A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.

It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.

Essential reading for any Twain buff and student of American literature.

Pub Date: May 13, 2025

ISBN: 9780525561729

Page Count: 1200

Publisher: Penguin Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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