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COSMIC COINCIDENCES

DARK MATTER, MANKIND, AND ANTHROPIC COSMOLOGY

Suddenly, anthropic cosmology—which speculates on the relationship between scientific law and human life—is all the rage. David Darling's Deep Time (reviewed above) takes a self-consciously lyrical look at the field; here, Gribbin (In Search of Schrodinger's Cat, 1984, etc.) and astronomer Rees opt for a more nuts-and-bolts approach. The coauthors scamper across much of the newest turf in astrophysics and particle physics. Their main concern is to identify the nature of the "dark matter" that permeates the universe, and whose gravitational pull keeps the cosmos "balanced on a knife edge between being open and closed." This search for dark matter leads into dizzying tours through "the geography of the universe"—quasars, gravity lenses, cosmic strings, et al.—and the microcosmic "particle zoo." Since dark matter "controls the structure and eventual fate of the Universe," it also creates conditions that favor human life. The authors note that other physical events—the precise balance between nuclear, electrical, and gravitational forces; the homogeneity of the universe—also seem eerily conducive to human life. Coincidence or design? These orthodox scientists plump for the former, positing a vast number of universes, one of which—our own—just by chance gave birth to us all. The aforementioned conclusion is the book's Achilles' heel—neither Gribbin nor Rees is an accomplished philosopher, and in constructing their views on human life, they lean heavily on the most recent (and quite possibly evanescent) theories. When they're writing about what they know, however, they can knock your socks off. A heady introduction to a complex subject.

Pub Date: Aug. 15, 1989

ISBN: 055299443X

Page Count: 302

Publisher: Bantam

Review Posted Online: May 17, 2012

Kirkus Reviews Issue: July 15, 1989

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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