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EINSTEIN'S MASTERWORK

1915 AND THE GENERAL THEORY OF RELATIVITY

Walter Isaacson goes deeper into his life and Dennis Overbye into his work, but readers will find this shorter biography...

A prolific British science writer examines the creation of Einstein’s General Theory of Relativity.

Special relativity—Einstein’s startling 1905 assertion that time and space are flexible, varying predictably according to one’s frame of reference—is easy, writes Gribbin (13.8: The Quest to Find the True Age of the Universe and the Theory of Everything, 2016, etc.). General relativity is considered much more difficult, but the author insists that anyone can understand Einstein’s 1915 theory of gravity as a fourth dimensional distortion of space-time around any massive body. He exaggerates, but careful readers will understand most of this book, which, despite the title, is a fine account of Einstein’s life and work with modest emphasis on general relativity. Gribbin checks all the boxes. Born in a middle-class Jewish German family, Einstein was—despite the myth—a good if obstreperous student. He failed to obtain an academic position after his 1900 graduation from Swiss Federal Polytechnic because theoretical physics professorships were much more rare then, but it’s also a myth that the scientific establishment ignored him. Europe’s leading physics journal, Annalen der Physik, accepted all of his groundbreaking 1905 papers, but it had been accepting his papers since 1900. By 1908, he was a significant figure in the scientific community, and in 1914, Berlin’s pre-eminent Kaiser Wilhelm Institute for Physics created a position especially for him. General relativity turned out to be so difficult for Einstein that he needed help from a mathematician friend to get it right, but it made him a scientific superstar. As Gribbin notes, he had “discovered a fundamental absolute truth about the universe…to rank with such fundamental mathematical truths as Pythagoras’ theorem.”

Walter Isaacson goes deeper into his life and Dennis Overbye into his work, but readers will find this shorter biography entirely satisfactory.

Pub Date: Sept. 6, 2016

ISBN: 978-1-68177-212-7

Page Count: 240

Publisher: Pegasus

Review Posted Online: July 3, 2016

Kirkus Reviews Issue: July 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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