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SPACEWARPS

English astrophysicist Gribbin (Timewarps, White Holes, etc.) proves once again that he is a lucid and fluent expositor to lay readers. But there is some sleight-of-hand here. In this volume, says Gribbin, he wants to dwell on the anomalies of space in an Einsteinian universe: matter disturbs the smooth flatness of the terrain, producing the gravity wells or warps predicted by general relativity theory. However, these are but foils that allow Gribbin to introduce those major distortions of space—wells that close in upon themselves: the black holes. Once they are encountered and possible candidates detailed, they provide a springboard by which to describe white dwarfs and other assemblages of compacted matter, along with the evolution of stars. The material covered, in the end, is much the standard fare we meet in other contemporary surveys of cosmology/astrophysics—including Gribbin's. A new wrinkle, possibly, is his idea that the present universe may be a black hole turned inside out. Whether or not the universe will continue to expand ad infinitum, or contract back to the ultimate singularity that was the Big Bang, becomes food for thought on the amount of mass in the universe. Some calculations suggest that perhaps 90 percent of the mass may be undetectable—black holes not near enough to perturb visible masses. Some authorities, Gribbin admits, find this an off-putting thought: astronomers, after all, like to think that their domain is investigatable. Apparently such conjectural invisibility does not daunt Gribbin (a theorist), nor one of his most admired contemporaries, Stephen Hawkins, who has spawned a theory of miniblack holes. As a variation on Gribbin's and other recent popularizations, the book is fine—just remember you may have read it elsewhere already.

Pub Date: Nov. 11, 1983

ISBN: 0385293666

Page Count: 232

Publisher: Delacorte

Review Posted Online: May 17, 2012

Kirkus Reviews Issue: Nov. 1, 1983

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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