Terrifically exciting and likable first novel about tax lawyers and the Mafia, and a predictable success already sold to the movies, etc. Grisham does not cut as deep or furnish the occasional shining paragraph that Scott Turow does, but he writes a stripped, cliche-free page that grips and propels. Mitchell McDeere, married and tops in his class at Harvard, has great offers from several firms and is hungry for success. When Bendini, Lambert & Locke of Memphis snows him with money, a new BMW, a low-interest mortgage financed by the company, a huge clothing allowance and other incredible perks, (including early retirement as a multimillionaire), he seems to have landed in fairyland. Nothing is too much for the one new man a year the firm takes on. All that's required from him in a 90-hour week for several years and a fast hand at billing clients. Most of the firm's clients, seemingly all wealthy and ready to be billed unlimitedly, are content not to question the firm's methods at relieving their tax strain. For a while all looks legal. Then McDeere learns of the heavy mortality rate among the firm's lawyers: no one ever quits Bendini, Lambert & Locke. They die. It turns out that while the firm has many clients with clean hands, it nonetheless was set up by the Mafia as a pumphouse for siphoning drug dollars and other untaxed cash into phony corporations set up in the Cayman Islands. In fact, the firm's lavish Lear jet regularly hauls tons of US legal tender down to the islands with their hundreds of tax-haven banks and secret numbered accounts. Then the FBI chooses McDeere to be its chief informant and offers him its Witness Protection Program; otherwise, McDeere will be swept up in the forthcoming crackdown on the firm. Although the firm knows McDeere is a spy and sets him up for assassination, he is smarter than even the reader knows and fights back against both the firm and the FBI. Hallucinatory entertainment.
Pub Date: March 15, 1991
ISBN: 0440245923
Page Count: 555
Publisher: Doubleday
Review Posted Online: Sept. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1991
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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