Grisham' entertaining wartime novel is not lacking in ambition or scope, but the spark of imagination that would grease its...
In 1946, months after returning home to Mississippi from fighting in the Philippines, decorated war hero Pete Banning strolls into the local church and shoots pastor Dexter Bell dead. Even when facing the electric chair, he won't say why he murdered his old friend.
Did it have something to do with word that in Pete's absence his wife, Liza, was seen with Bell, who was known for straying from his marriage? Liza, who three years before her husband's shocking return had been traumatized by a notification that he was missing in action and presumed dead, is in no condition to answer any questions. She is in the state mental hospital, where Pete, head of a prominent farm family in Clanton, got her committed for iffy reasons after his homecoming. Brutally tortured by the Japanese, he himself appears to be in a reduced mental state. This being a Grisham (The Rooster Bar, 2017, etc.) novel, we spend a fair amount of time in the courtroom, first with the insistently tight-lipped Pete's trial and then after Bell's widow files a wrongful death suit against Pete's family that stands to wipe them out. As usual, Grisham does a solid job of portraying a Southern town at a particular moment in time, touching upon social issues as he goes. But the book never overcomes the hole at its center. It's one thing to create a character who is a mystery to those around him, quite another to reveal next to nothing about that character to the reader. After a while, Pete's one-note act becomes a bit of a drag.
Grisham' entertaining wartime novel is not lacking in ambition or scope, but the spark of imagination that would grease its pages is largely missing.Pub Date: Oct. 23, 2018
ISBN: 978-0-385-54415-3
Page Count: 432
Publisher: Doubleday
Review Posted Online: Sept. 17, 2018
Kirkus Reviews Issue: Oct. 1, 2018
Bulky, balky, talky.
In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.
But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.
Bulky, balky, talky.Pub Date: March 18, 2003
ISBN: 0-385-50420-9
Page Count: 400
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
Michaels’s fan base isn’t likely to be increased by this improbable distaff pastiche of Mission: Impossible.
The Sisterhood takes on yet another evildoer in their endless quest to right wrongs against unjustly maligned women.
Architect Isabelle Flanders’s life was destroyed when her coldly ambitious employee Rosemary Hershey framed her for vehicular manslaughter and stole her ideas and her fiancé Bobby Harcourt. Now the Sisterhood (The Jury, 2005, etc.) has devised a diabolical plan to help her get revenge and recover her reputation. Wealthy Sisterhood stalwart Myra Rutledge installs Isabelle in a luxurious office and buys a Virginia property to set up a bogus contest in which local architects will be invited to design a sumptuous horse farm, planning to make Isabelle and Rosemary the only finalists. Meanwhile, Bobby, long fed up with Rosemary’s greed, sues for divorce, planning to start his own architectural firm. Rosemary, who’s receiving anonymous letters reminding her that it was she and not innocent Isabelle who ran down and killed a family, is sinking into a funk as the Sisterhood increases the pressure. A rainy night in a cemetery, bogus snakes and a broken rope finally get Rosemary to confess and leave the Sisterhood ready to plot their next adventure.
Michaels’s fan base isn’t likely to be increased by this improbable distaff pastiche of Mission: Impossible.Pub Date: April 1, 2006
ISBN: 0-7278-6349-5
Page Count: 192
Publisher: Severn House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2006
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