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THE LONGEST TRIP HOME

A MEMOIR

A harmless, wholesome treat for those who don’t mind a little treacle.

Author of the bestselling Marley & Me (2005) shares his candy-coated personal history.

Grogan opens with memories of his “wondrous” youth, guided by a mother who awakened each of her four children with the tickle of a feather and some lighthearted teasing. The author recalls having inexhaustible energy while growing up in metropolitan Detroit, somewhat to the chagrin of strict but loving Mom, who made valiant attempts to rein in her preteen powerhouse. On a typical vacation, known as a “family miracle trip,” they would camp out after spending the day visiting religious shrines and monasteries. The Grogan family was fervently religious, which may explain why the author became so mischievous at an early age. He spied on a topless neighbor sunbathing in her yard, cultivated crushes on teachers in his particularly sadistic parochial school and indulged in cigarettes, fireworks and mild neighborhood vandalism. Humorous situations saturate the narrative: his brother Michael’s early affinity for the priestly life juxtaposed against Grogan’s own predilection for the female bosom; his parents’ radical frugality; various altar boy calamities; a lip-mauling kiss from “Lioness Lori…an overzealous make-out partner with braces.” Experimentation with drugs, sex and petty crime soon followed, along with the dogged pursuit of writing, launched with a vulgar underground publication that landed him and his high-school cohorts in hot water. Post-college, Grogan got writing gigs at various newspapers in random locales. He also acquired a non-Catholic girlfriend: his future wife Jenny, with whom he cohabitated before getting married, which both bewildered and disappointed his conservative, judgmental parents. Although much of the book describes Grogan locking horns with his parents over varied, mostly religious differences, after his father’s leukemia diagnosis it becomes a mushy testament to the power of love, forgiveness and growing old gracefully.

A harmless, wholesome treat for those who don’t mind a little treacle.

Pub Date: Oct. 21, 2008

ISBN: 978-0-06-171324-8

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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