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SILVER GOODBYE

From the Buck Reilly Adventure series , Vol. 7

A fresh, snappy, and exhilarating adventure with a recurring hero.

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As a hurricane rages, a treasure hunter searches Key West for a cache of drug money tied to his father in this seventh installment of a series.

Though it’s been nearly a decade since his parents’ deaths, Buck Reilly is just now going through their personal effects. He makes a startling discovery: Based on names and places his father, Charles B. Reilly Jr., had documented, Buck surmises he may have been a drug smuggler years before working for the State Department. Charlie had two partners: Frank Graves, who did a 20-year prison stint, and Tommy Diaz, who was murdered by the Medellín cartel. Buck hopes to shed light on his dad’s past by talking to Graves’ ex-wife, Eleanor, and Diaz’s daughter, Jade. They are both in Key West, where Buck also resides. But it turns out an unusual sketch among Charlie’s effects is part of a map to the partners’ drug fortune—and Jade has the other half. The two decide to work together despite the destructive path Hurricane Irma is taking toward Key West. So as locals wisely evacuate, Buck and Jade hunt for hidden cash. But they aren’t the only ones looking, and greed soon ignites a string of potentially lethal double crosses. From the start, Cunningham (Free Fall to Black, 2017, etc.) establishes the story’s uneasy atmosphere as Buck hears reports of ongoing hurricanes. Frequent details on the heavy rain and wind are reminders of the impending storm. The tempest likewise sets an impressive pace, as Buck and Jade have little time before their search area is flooded. The author subtly develops characters as the story progresses; it’s apparent, for example, based on Jade’s behavior, that she’s naturally skeptical of others. Readers will likely guess a few plot turns, but that doesn’t dilute the ever present threat of the hurricane. As in preceding novels, Buck is an admirable protagonist, a man who doesn’t hesitate to tighten the lines of someone else’s secured plane despite increasingly perilous weather.

A fresh, snappy, and exhilarating adventure with a recurring hero.

Pub Date: Aug. 7, 2018

ISBN: 978-0-9987965-3-6

Page Count: 242

Publisher: Greene Street, LLC

Review Posted Online: Sept. 14, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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