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RADIO ELVIS

AND OTHER STORIES

Random and fitful.

A debut collection of fifteen tales that may spring from three distinct stages in the life of novelist Irsfeld (Rats Alley, not reviewed, etc.).

We begin in a section called “Dreamland” and the title story, where it turns out that Elvis is actually still alive, getting by via impersonations of himself, and we follow along as he attends an Elvis Impersonator convention in Chicago, learning something about the lingering permanence of fame along the way. Subsequent sets of tales are called “Vegas,” perhaps reflecting the author’s tenure as chair of the English department at the University of Nevada, Las Vegas, and “The Army,” stemming from the author’s stint as a grunt. The stories themselves are often half-starts that end before they begin: “Interview With Jordan Baker,” a play on the famous golfer from The Great Gatsby, fails to become anything more than an academic exercise, with no real emotions being aroused. “The Marriage Auditors” aspires to absurdity—a team of investigators arrives after a couple’s fight to determine whether their marriage should be summarily dissolved—but it’s actually not much more than a little weird. “Have You Knocked on Cleopatra?” is a vignette that’s simply the tough-guy voice of a semi-bodyguard driving a cowboy to Vegas, and other aimless vignettes (“The Tourist,” “Stop, Rewind and Play”) describe the insipid internal ramblings, first of a gambler wandering the Strip, then of a prostitute on her day off trying to get lucky herself. J.C. Saltar contends with Army planes landing on his house but finds $250,000 in highjackers’ loot in “Finderskeepers.” Then there’s “The Man Who Watched Airplanes,” a tiresome piece about a man who—well—watches airplanes. The premise is captured in a headline that appears in “The Tourist:” “Las Vegas Attracts Weirdos.” But are these stories dull and directionless, or are we just guilty of an unhealthy tendency to expect engaging plot and interesting language?

Random and fitful.

Pub Date: Sept. 1, 2002

ISBN: 0-87565-265-4

Page Count: 198

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2002

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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