Despite its disclaimers, this frothy Hollywood debut fiction seems to be dipping from the same well that's supplied a number of recent novels and movies—the career of the producer (and master vulgarian) Joel Silver, whose manic personal style was best captured in last year's film Swimming With Sharks. Richardson, a senior writer at Premiere, where this novel was serialized, differs from the rest, however: He ends up proving his Silver stand-in a nice guy, and also ends up defending, even celebrating, Hollywood's exuberant vulgarity. Everything else is just pretentious arthouse stuff for academics and navel-gazers, which is exactly what Peter James is before he's plucked by Merwin ``Max'' Fisher to be his assistant. Max revels in the triviality of movies, which are all about love, not ideas. And Max should know- -the box office has affirmed his success time and again. White- bread Peter can't take Max's mood swings, despite his promise that he'll make Peter a Tinseltown player. Richardson provides some intrigue to fuel this comedy of (absent) manners: Max is accused of raping his disaffected mentor's 19-year-old daughter, and suspected of killing her best friend. Peter believes it, even though he knows that smart and sexy Tracy Rose got her blackened eye from a bout of rough sex with him. Soon Peter begins lying on behalf of his crazy boss. He destroys evidence. He lies to the police. Then he begins to wonder whether he's caught up in a sick settling of accounts by Max and Max's old boss, Barry Rose, ``two bitter, obsessed, scheming bastards.'' Peter literally takes a bullet for the much aggrieved Max, though he's suitably rewarded in the novel's final pages, a sappy, happy testimonial to Max, who turns out to be a lamb in wolf's clothing. Ignore the editorials, relish the real-life cameos, and appreciate this bouncy novel for what it is: a bit of fluff as trivial, bankable, and enjoyable as one of Max's movies.
Pub Date: June 1, 1996
ISBN: 0-688-12672-3
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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