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THEIRS WAS THE KINGDOM

THE UNCONDENSED STORY OF THE READER'S DIGEST AND ITS FOUNDERS, DEWITT AND LILA ACHESON WALLACE

A lengthy, albeit consistently engrossing, take on the Reader's Digest and how it became one of the worlds's most influential periodicals. Drawing on a wealth of sources, Heidenry offers a well-rounded account of how Roy DeWitt Wallace (``Wally'' to intimates) built a farflung communications empire on an idea revived while he recovered from wounds suffered in WW I. Back in the States, the thirtysomething Wally came up with enough money to publish the first edition of Reader's Digest in February 1922. The monthly's format and content, almost immediate hits with middle America, have changed little since then. From its original venue in Manhattan's Greenwich Village, however, RD moved to Pleasantville, an N.Y.C. exurb. In later life, Wally, who had deliberately overstated the editorial role played by his wife, Lila Acheson, to enhance the fledgling journal's drawing power with women, downplayed her apparently negligible contributions. Whoever was responsible, the magazine proved to have mass appeal outside the US, and more than a dozen foreign editions were successfully launched. Though a frequent object of the literary establishment's scorn, RD prospered in good times and bad as the proprietors (who lured name writers with top pay) developed a flair for direct-mail promotion and a willingness to break with tradition, e.g., by opening their pages to advertisers in the mid-50's. RD has survived the death of its founders (both of whom lived into their 90s) in good style, remaining the keystone of a profitable media enterprise with new worlds to conquer in Eastern Europe and beyond. If Heidenry doesn't always endorse the odd amalgam of political conservatism, religious uplift, and double-entendre humor that has made Reader's Digest a perdurable institution, he offers an evenhanded appreciation of its socioeconomic attractions, as well as generally admiring but unsparing portraits of the principals and their key subordinates. As complete a wrap-up, then, as general readers could want on a commercial/cultural phenomenon.

Pub Date: June 14, 1993

ISBN: 0-393-03466-6

Page Count: 640

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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