An inventive—and highly believable—biblical revisionist tale.
A mystery novel tells the story of an early female Christian leader whose history was erased.
Three women across two millennia challenge the official story of the Roman Catholic Church. The first is Julia Lucinia, a first-century Roman noblewoman trapped in a difficult marriage to an ambitious man. She befriends a kind servant, who introduces her to a strange temple-less sect run by a man named Paul: “He talks of one God, like the Jews do, Julia thought. And he speaks that everyone is equal in this one God’s eyes, whether fine man or slave. He honors women as well as men, seats masters and slaves together without respect to their rank.” Meanwhile, in the 21st century, two women are given access to the Vatican Library. Archaeologists Valentina Vella and Erika Simone discover a “strange” letter that appears to have originally been written by a female bishop: Julia Episcopa. The two are experts on Lucinia, whose trove of early Christian documents was preserved in the ruins of Herculaneum. But could this ancient Christian woman have, in fact, been something unknown to history: a female bishop? In both timelines, the truth of early Christianity will prove something the powers that be would rather keep hidden. In their series opener, Rigoli (Julia Episcopa: A Woman’s Struggle in the Church, 2012) and debut author Cummings write sharp prose, keeping the pace quick and the tensions high. The story is full of amusing bits of invented historical facts and encounters with famous names. Here Lucinia describes her first impression of Paul: “He is far from attractive, she thought. Yet there is something about him. Yes, he is appealing in an odd way.” The novel begs comparisons to Dan Brown, but The Da Vinci Code–like twists are actually rare. Rather than building toward the revelation of a mystery, the book is the story of a coverup and its discovery. The authors go right to the heart of one of the great unknowns of Christian history: the role of women in the early church. The journey is ultimately more thoughtful and satisfying than a mere holy grail.
An inventive—and highly believable—biblical revisionist tale.Pub Date: Jan. 12, 2018
ISBN: 978-1-983772-52-8
Page Count: 352
Publisher: CreateSpace
Review Posted Online: Aug. 9, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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