A funny, lighthearted story sure to appease everyone, animal lovers or not.
A school-age boy wants to get a pet but can’t decide what kind.
When Oscar finally gets permission from his parents to get a pet, he doesn’t know which one to get. He put out an advertisement and receives an avalanche of letters from a vast range of animals ranging from Goldie the goldfish to Walter the whale. The animals even start coming to Oscar’s house, but most of them are not interested in playing with Oscar. With Oscar’s house so full, the family must sleep in their backyard. A final prank by Space Monkey Boo-Boo causes Oscar’s mom to lose her temper and send all the animals away. When the family moves back into their house, Oscar discovers one missed letter from Rufus, a dog who promises to always love Oscar and be his best friend. Told in first person by Oscar, the story is simple but quite funny. It may be a tad on the complicated side for very young readers, and readers looking for an overt moral are unlikely to find one. Veteran Laberis’ digitally created illustrations are neat, displaying the expressions of the family and the animals exquisitely. Oscar is a brown-skinned, biracial boy, with a white dad and brown-skinned, black-haired mom.
A funny, lighthearted story sure to appease everyone, animal lovers or not. (Picture book. 4-8)Pub Date: Sept. 1, 2018
ISBN: 978-1-84869-949-6
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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