With wry humor, always on point, Kenney guides us through the maze of work, family, love (elusive) and friendship (a...
The dilemma of the storyteller powerless to shape his own story gets a beautiful new spin in this first novel about an adman facing a family crisis.
Welcome to the shoot. It’s a TV commercial for Snugglies, the world’s biggest diaper brand. The producer’s just learned that Gwyneth (yes! Paltrow!) is leaving a day early, upending the schedule, and they’ve been using the wrong diapers (wasted film, wasted dollars). Those hiccups and baby puke aside, really, everything’s fine. The narrator of this hilarious opening is protagonist Finbar Dolan, 39-year-old senior copywriter at a top-tier New York agency. (Kenney himself is a veteran copywriter.) Fin is Boston Irish, the youngest of four siblings. Their father was an abusive cop; he left them when Fin was 12. Their mother committed suicide. The children went their separate ways. Fin found an escape in advertising; he enjoyed writing the false narratives that commercials demand. He tried to write his own narrative, asking a sweet-natured woman to marry him, but his heart wasn’t in it, and he broke off the engagement eight months ago. Now, his oldest brother, Eddie, is calling to say their father, unseen for 25 years, is in the hospital, a heart attack. Reluctantly, Fin goes to the Cape, and we temporarily leave the crazy roller coaster of the ad world for Fin’s family. The Dolans are frozen in time, as haunted as an O’Neill family. A late revelation (Kenney peels the onion with care) shows why Fin is the most traumatized of the four. But this is not a bleak novel. Kenney is marvelous on workplace camaraderie. Fin’s two best friends are co-workers. One of them he’s in love with, but the dummy only realizes this when it’s almost too late.
With wry humor, always on point, Kenney guides us through the maze of work, family, love (elusive) and friendship (a lifesaver). This is an outstanding debut.Pub Date: Jan. 8, 2013
ISBN: 978-1-4516-7554-2
Page Count: 320
Publisher: N/A
Review Posted Online: Sept. 26, 2012
Kirkus Reviews Issue: Oct. 15, 2012
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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