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DOING TIME LIKE A SPY

HOW THE CIA TAUGHT ME TO SURVIVE AND THRIVE IN PRISON

An irreverent and unsettling footnote to the war on terror.

A maverick spy’s season in prison.

Kiriakou (The Reluctant Spy: My Secret Life in the CIA’s War on Terror, 2010) writes that whistleblowing the CIA’s “enhanced interrogation” program ended his career and led to his prosecution for inadvertently violating the Intelligence Identities Protection Act: “I took a plea to one count,” he writes. “I didn’t fear prison. I was tougher than the CIA thought I was.” Still, he was surprised to find that “the training and experience that I had amassed in my CIA career would prepare me to survive and thrive in prison.” Kiriakou references 20 famous espionage “rules”—e.g., “admit nothing, deny everything, make counteraccusations”—as being particularly suited to incarceration, given that “prison is a combination of seventh grade, Lord of the Flies, and a mental institution.” The author had expected to serve about two years in a federal work camp, but he was placed in a low-security prison. Although Kiriakou’s burly physique and black-ops reputation protected him, he still found prison’s brutal, unwritten social codes to be challenging: “There were many more weirdos, lunatics, and freaks than there were good guys.” He notes that due to persistent segregation, he spent a year dining with the self-proclaimed “Aryans” before being invited to join the “Italians” (organized crime members). While Kiriakou speaks highly of a few helpful friends, he is disparaging of most of the people he encountered behind bars, particularly the high population of pedophiles (scorned by all other inmates) and the guards. “There were certainly some COs I respected,” he writes. “The sad truth, however, is that most COs are assholes.” Kiriakou confidently portrays himself as a larger-than-life survivor type, justifiably proud of his stance against CIA–sanctioned torture, but the book suffers from being overly cranky and exceedingly anecdotal.

An irreverent and unsettling footnote to the war on terror.

Pub Date: June 16, 2017

ISBN: 978-1-945572-41-8

Page Count: 288

Publisher: Vireo/Rare Bird Books

Review Posted Online: March 14, 2017

Kirkus Reviews Issue: April 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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