Harper (European Studies/Johns Hopkins; America and the Reconstruction of Italy, 1986) creatively melds biography with cultural and diplomatic history in this triptych of portraits of important architects of US policy toward Europe during the ``American Century.'' America's ``historic ambivalence'' toward Europe, the author argues, is reflected in the lives of his three subjects, each of whom decisively influenced America's European policy during and after WW II. Franklin D. Roosevelt was proud of his Dutch ancestry and his descent from American Revolutionaries and, unlike other members of the American establishment, never identified with Great Britain. Although he came of age during an era of American isolationism, he was also shaped by youthful experiences in Germany and by his tenure as Woodrow Wilson's assistant secretary of the Navy. The result, Harper contends, was Roosevelt's policy of ``partial internationalism,'' which he defines as ``aiming to arrange the retirement of Europe from world politics while avoiding direct U.S. entanglement.'' George Kennan was, in Harper's view, an aesthete whose ``romantic egotist'' sensibilities were shaped by his midwestern upbringing, his Princeton education, and his preWW II work in the US Foreign Service in Germany; he was also a conservative whose ``partial isolationism,'' resulting in the policy of containment of Soviet communism, was intended ``to restore Europe's centrality and autonomy through temporary U.S. engagement.'' Dean Acheson was a lawyer-statesman who sought to establish the US as a permanent presence in Europe. Harper concludes that the differing, clashing philosophies of these and other leaders often produced results at variance with those intended by US policymakers, and asserts that US ambivalence continues, with America supporting European unity but recoiling before its probable consequences. An absorbing study of the linkages between personal and diplomatic perspectives— illuminating as historical background in this period of European integration and diminished American power.
Pub Date: Sept. 12, 1994
ISBN: 0-521-45483-2
Page Count: 352
Publisher: Cambridge Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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