Resolutely keeping potential action sequences just offstage, le Carré (Our Kind of Traitor, 2010, etc.) focuses instead on...
The distinguished chronicler of Cold War espionage and its costs casts his cold eye on the fog of war and its legacy when the war sets terrorists against the mercenaries and independent contractors to whom international security has been farmed out.
A colorless midlevel civil servant is plucked from the anonymous ranks of the Foreign Office, given a wafer-thin cover identity as statistician Paul Anderson and packed off to Gibraltar, where he’s to serve as the eyes and ears and, mainly, the yea or nay of rising Member of Parliament Fergus Quinn, who can’t afford to be directly connected to Operation Wildlife. On the crucial night the forces in question are to disrupt an arms deal and grab a jihadist purchaser, both Paul and Jeb Owens, the senior military commander on the ground, smell a rat and advise against completing the operation. But they’re overridden by Quinn, who says, “I recommend but do not command” that Operation Wildlife be completed. Shortly after its execution, Paul, promised “[m]edals all round,” is bundled back into a plane bound for home. Sure enough, he emerges from the hush-hush affair with a knighthood and the unspoken thanks of a grateful monarch. Three years later, however, he happens to run into Jeb and hears the ruined soldier tell a decidedly less glorious story of the operation that involves extraordinary rendition, a dead mother and child, and a callous coverup. At the same time, Quinn’s Private Secretary Toby Bell also becomes painfully aware of irregularities in the official record and confronts Jay Crispin, the Houston-based head of the private intelligence firm Ethical Outcomes, for answers. What he gets instead are more questions and personal danger.
Resolutely keeping potential action sequences just offstage, le Carré (Our Kind of Traitor, 2010, etc.) focuses instead on the moral rot and creeping terror barely concealed by the affable old-boy blather that marks the pillars of the intelligence community.Pub Date: May 7, 2013
ISBN: 978-0-670-01489-7
Page Count: 432
Publisher: Viking
Review Posted Online: March 2, 2013
Kirkus Reviews Issue: March 15, 2013
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.
The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.
Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.
King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.Pub Date: Sept. 10, 2019
ISBN: 978-1-9821-1056-7
Page Count: 576
Publisher: Scribner
Review Posted Online: Aug. 3, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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