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WHEN THE KISSING HAD TO STOP

Manic essays on contemporary books, television, and cultural phenomena from a veteran critic for New York magazine and elsewhere. Leonard has collected his writings of the past few years—mostly from the Nation” into a new book, his eighth (after Smoke and Mirrors: Violence, Television, and Other American Cultures, 1997, etc.). He talks about books, events, and TV shows in verbals riffs more musical than intellectual: “I call The X-Files and like-minded cinemas “paranoirs.’ Those regressive hypnotherapists who buy into alien abduction . . . I call “psyclops.’ And those academics who insist on publishing monographs about such phenomena, I call “Cult Studs’—for their piratical boarding, under the black flags of Foucault and Lacan, of the pleasure craft on the pop seas; their swashbuckling style and their slaughter of the innocents.” In small doses, the swash and buckle of his own prose can be entertaining. Often Leonard is funny, in particular when writing about the media extravaganza that made Lorena Bobbit a star. Perhaps his glib, rapid-fire, superhip attitudinizing is meant to mimic the media culture of hyperbuzz that it addresses—as if Leonard has his finger on the amphetamine-pumped pulse of urban life. But in the long run of a whole book, the droll patter of his literary sound bites becomes oppressive. Readers will search in vain for a set of compelling issues, sustained thoughts, or concerns to unite these reviews into a coherent whole. Instead, an idiosyncratic prose style and an intrusive personality do what little they can to unify the pieces collected for this volume. These essays on literature and pop culture, though entertaining in themselves, do not add up to much of a book.

Pub Date: June 1, 1999

ISBN: 1-56584-533-1

Page Count: 336

Publisher: The New Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1999

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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