Glistening evidence that a great critic needs both a bookworm’s habits and a capacious heart.


WRITINGS, 1958-2008

A selection of reviews and essays from the celebrated literary critic, followed by a sort of festschrift with contributors ranging from family members to noted authors (Toni Morrison, Mary Gordon and others).

Leonard (1939–2008), long-time reviewer for and sometime editor of the New York Times Book Review, displays an astonishing erudition throughout these pieces, chronologically arranged. (Many readers, however, will be disappointed to find no external indications of when and where the piece initially appeared.) Sentences sometimes feature as many as nine allusions, such as the one that mentions Yeats, Pound, Lessing, Bellow, Rudolf Steiner, Rosicrucians, Alpha and Omega, Jarrell and Auden. Yet there is often a playfulness—an informality—in his prose, as well. In the initial piece (about how he reads for his living), he recalls, “I became an intellectual because I couldn’t get a date.” And: “Like God and television,” he writes in a long and wonderful essay about TV and popular culture, “we see around corners.” Leonard could also bring tears at unexpected moments. For example, he ends his review of Joan Didion’s The Year of Magical Thinking, with “I cannot imagine dying without this book.” He ends a piece about Morrison, a writer he championed, with, “I was holding my breath, and she took it away.” Included in the collection are prescient reviews of Maxine Hong Kingston, Robert Stone, Norman Mailer, Don DeLillo, Philip Roth, Amos Oz, Ralph Ellison, Maureen Howard and numerous other luminaries. There is a moving piece about 9/11 and another on the AIDS crisis. More than once, he blasts Bob Dylan for his treatment of Joan Baez (whom Leonard adored). Other, unsurprising targets of his disdain included Richard Nixon and Peggy Noonan.

Glistening evidence that a great critic needs both a bookworm’s habits and a capacious heart.

Pub Date: March 19, 2012

ISBN: 978-0-670-02308-0

Page Count: 376

Publisher: Viking

Review Posted Online: Dec. 13, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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