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THE GREAT WALL

THE EXTRAORDINARY STORY OF CHINA’S WONDER OF THE WORLD

Man presents readers with a Wall for every season, even more awe-inspiring in its workaday clothes than in its romantic garb.

A learned, lively history of the Great Wall’s evolution that cuts it down to size without diminishing its allure.

No, you can’t see it from the moon. Nor is it an unbroken, serpentine glory of many thousand kilometers, all dressed stone and watchtowers; much of it is simply rammed dirt, sometimes a yard high. As a stone curtain keeping the northern barbarians at bay it was more of a sieve, though it did have its military uses. Sinophile Man (The Terra Cotta Army, 2008, etc.) offers a close, informed reading of historical documents as well as his observations based on many hours spent Wall-side. What emerges is a shifting, kaleidoscopic portrait—cultural, geopolitical, symbolic—that puts the mighty edifice into perspective. Man suggests that the Great Wall started as an expression of Chinese expansionism, rather than protectionism. Under the First Emperor, as China moved from city-state to nation-state in the third century BCE, the Wall marked borders, but they were fairly porous; “its main function [was] to serve China’s internal political purposes: to define itself, to declare its identity to itself—and to keep its own people in line.” The Han dynasty added to the Wall, which by the first century BCE also served as a road to transport goods, provide traders with safe houses and garrison soldiers. The pastoral-nomadic Mongols had no use for it and let it decay during the 12th century. After pushing them from power, the Ming dynasty embarked on a 200-year building spree designed to keep the Mongols on the other side of the Wall. The author’s intent is not to diminish the Wall, but to ascertain its purposes and paint its many attitudes, from rude earth-and-reed bulwark to the fairy-tale adornment of the landscape.

Man presents readers with a Wall for every season, even more awe-inspiring in its workaday clothes than in its romantic garb.

Pub Date: Sept. 1, 2008

ISBN: 978-0-306-81767-0

Page Count: 352

Publisher: Da Capo

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2008

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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