Alaska: the last frontier, a land of insulated stalwarts, climatic exigencies, and nineteen streams named Salmon. McPhee's deftly stratified report, written with a strong sense of place, includes a river trip with assorted "ecomorphs," short flights with the factious capital search committee, and a nonpareil section on town folk and people of the bush. Townspeople come from Pennsylvania or Texas or South Dakota, repudiating less worthy lifestyles. Those in the bush, a prickly, competitive lot, grow or catch most of their food, make their own clothes, and tacitly vie for Most Independent. Anchorage is indistinguishable from Albuquerque ("You can smell the greed in the air"); Sierra Club types are less popular than grizzlies; and lately a synonym for native is stockholder. More significant than the petty rivalries and personal histories are resident conflicts over rights—development, conservation, individual enterprise—which are reminiscent of the rancher/ farmer tensions of pioneer days and will ultimately determine the future of the landscape. As in his other books, McPhee's seemingly effortless work is a polished composition which replaces stereotypes with cross-hatched figures and allows the odd detail, the offhand remark to enlarge the scene. Flecked with irony, written with rhythm and style—and more than the sum of its parts.
Pub Date: Nov. 18, 1977
ISBN: 0374522871
Page Count: 450
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 12, 2011
Kirkus Reviews Issue: Nov. 1, 1977
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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