THE MUSEUM AT THE END OF THE WORLD

Name: THE MUSEUM AT THE END OF THE WORLD
Author: John Metcalf
ISBN: 978-177196-107-3

by John Metcalf ‧ RELEASE DATE: Nov. 15, 2016

Metcalf applies wit, humor, and fine writing to themes of friendship, culture, commitment, and integrity—and all the petty...

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These four related fictions follow a British boy’s coming-of-age and his older self enduring a world that rarely lives up to his standards.

In the opening novella, Medals and Prizes, Robert Forde first appears in 1950s England at age 14 as he shares with his best friend a love of words, art, and jazz records. After university, Forde immigrates to Canada and turns to writing. He receives an Order of Canada medal the day he visits a fellow novelist suffering from Parkinson’s whose career Forde is asked to help revive. In the short story “Ceazer Salad,” Forde walks about Ottawa and rails at misused apostrophes and other abominations after his latest book is panned. The title story shows him with a travel group venting his spleen during a guided tour of Turkish cultural attractions. Both short stories also feature Forde’s wife, Sheila, and the combative affection of their conversation, recalling Nick and Nora Charles of Hammett’s Thin Man. Metcalf (An Aesthetic Underground, 2015, etc.), a highly regarded Canadian writer born in 1938 whose life resembles Forde’s, also brings to mind variously Wodehouse, Waugh, Kingsley Amis, and Kyril Bonfiglioli. The jewel of the collection is the other novella, Lives of the Poets, in which Forde plays willing ear as the granddaughter of a 19th-century poet reminisces over the course of a long slow day and night in page after page of marvelous dialogue, the two discovering their shared tastes for precision in language, forgotten rituals, obscure artifacts, and drinking.

Metcalf applies wit, humor, and fine writing to themes of friendship, culture, commitment, and integrity—and all the petty things in life that seek to quash them. This is a book that could restore anyone’s faith in the pleasure of reading.

Pub Date: Nov. 15, 2016

ISBN: 978-177196-107-3

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

Categories:

SHORT STORIES

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SIGHTSEEING

STORIES

by Rattawut Lapcharoensap ‧ RELEASE DATE: Jan. 1, 2005

A newcomer to watch: fresh, funny, and tough.

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Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.

In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.

A newcomer to watch: fresh, funny, and tough.

Pub Date: Jan. 1, 2005

ISBN: 0-8021-1788-0

Page Count: 224

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

Categories:

LITERARY FICTION | SHORT STORIES

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A PERMANENT MEMBER OF THE FAMILY

by Russell Banks ‧ RELEASE DATE: Nov. 12, 2013

Old-fashioned short fiction: honest, probing and moving.

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One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.