An exceptional collection.

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FINDING AGAIN THE WORLD

A dozen stories from a fine Canadian writer that explore the discomforts and occasional delights life offers.

Three boys discover a kind of outdoor Sunday school with games and parables run by a couple. After they join in, one of the youths steals the man’s fountain pen and destroys it violently. An old man compels a boy to come to tea, belittles his intelligence, and tries to force him to feel a hole in his leg from a Boer War bullet. A man in a wheelchair politely listens to two missionaries and as they leave shouts: “If I was standing up…I’d be six foot three.” That story is remarkable for three pages of painstaking detail describing how the disabled man manages a bath. Metcalf (The Canadian Short Story, 2018, etc.) displays a masterful deployment of well-observed, pointed details. A man resting at an outdoor cafe from his tour of Rome spends two pages following the movements of three lizards, which echo the inevitable routines and rancor that arise with organized travel. Two of the better tales (“Ceazer Salad” and “The Museum at the End of the World”) appeared in a 2016 collection, The Museum at the End of the World. Another standout here is “The Estuary,” in which the troubled narrator shifts from a fitful talk therapy to a lyrical memory of seeing a pair of porpoises in Wales. In the comic, brittle “Gentle as Flowers Make the Stones,” a struggling poet works mentally on a few lines as he tries to get review work from an editor and anticipates being paid for a reading in a wealthy woman’s home. Harsh reality, hope, and caricature mingle in this tour de force. As Metcalf says in his previous book, “Writing is very hard work but at the same time it is delightful play.”

An exceptional collection.

Pub Date: March 19, 2019

ISBN: 978-1-77196-252-0

Page Count: 288

Publisher: Biblioasis

Review Posted Online: Dec. 23, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers...

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EXHALATION

Exploring humankind's place in the universe and the nature of humanity, many of the stories in this stellar collection focus on how technological advances can impact humanity’s evolutionary journey.

Chiang's (Stories of Your Life and Others, 2002) second collection begins with an instant classic, “The Merchant and the Alchemist’s Gate,” which won Hugo and Nebula awards for Best Novelette in 2008. A time-travel fantasy set largely in ancient Baghdad, the story follows fabric merchant Fuwaad ibn Abbas after he meets an alchemist who has crafted what is essentially a time portal. After hearing life-changing stories about others who have used the portal, he decides to go back in time to try to right a terrible wrong—and realizes, too late, that nothing can erase the past. Other standout selections include “The Lifecycle of Software Objects,” a story about a software tester who, over the course of a decade, struggles to keep a sentient digital entity alive; “The Great Silence,” which brilliantly questions the theory that humankind is the only intelligent race in the universe; and “Dacey’s Patent Automatic Nanny,” which chronicles the consequences of machines raising human children. But arguably the most profound story is "Exhalation" (which won the 2009 Hugo Award for Best Short Story), a heart-rending message and warning from a scientist of a highly advanced, but now extinct, race of mechanical beings from another universe. Although the being theorizes that all life will die when the universes reach “equilibrium,” its parting advice will resonate with everyone: “Contemplate the marvel that is existence, and rejoice that you are able to do so.”

Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers in a big way.

Pub Date: May 8, 2019

ISBN: 978-1-101-94788-3

Page Count: 368

Publisher: Knopf

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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