Famed Christian musician Talbot is also a Catholic apologist. His Christian primer which treats a range of subjects, from the sacraments to the Paraclete, is unabashedly evangelistic—“Come on in. Take a look around. I believe you will find your home here.” But it’s hard to imagine that Talbot will accomplish anything other than stroking those who already agree with him. The author’s delight in contrasting a near-faultless Catholicism with a quarrelsome, disorganized Protestant Church will not win the sympathies of Methodist or Presbyterian readers. Nor will those outright skeptical of Christianity find much that speaks to them; although he proclaims the value of mystery, Talbot flees from ambiguity. He raises difficult questions, such as the historical Jesus and religious pluralism, only to avoid engaging them, knocking over straw men and providing pat, unsatisfying answers instead. Throughout, Talbot’s prose drips with condescension (“This all sounds so complex, but it’s extremely important. Let me try to illustrate it with a story”). Halfway through the book Talbot observes that “It’s music—not writing or speaking—that is my primary gift from God.” Whether Talbot should take a vow of silence is debatable, but he should certainly forgo his pursuit of the written word, confining his attempts at spreading the faith to song. A desultory, grossly oversimplified summary of the Catholic faith. (b&w photos)
Pub Date: Sept. 6, 1999
ISBN: 0-87477-983-9
Page Count: 256
Publisher: TarcherPerigee
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1999
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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