Next book

THE MILITIA HOUSE

A mostly sharp, disturbing debut.

Q: What happens when the fog of war gets inside one's head? A: The military novel gone gothic.

2010. Loyette, a corporal newly assigned to a forward base in Afghanistan, has been tasked with leading a small group in offloading cargo from helicopters. After his brother was killed in action, Loyette—in what he now sees as a gung-ho blunder—left college to join up, and he's mostly marking time until he can go home. The work is lonely, intermittent, often dreary; he and his squad are safe within the walls of the compound but bored and anxious and hypervigilant. Just outside the camp's gates sits the empty husk of a Soviet-era barracks in which, they’re told, a massacre of the occupiers occurred, and—an idle mind being the gothic novelist’s workshop—they decide to make a brief tour; perhaps they can snag a souvenir. While there, Loyette and his men grow disoriented, lose track of time, and a staircase to a basement seems to disappear. Once they emerge, they ignore or explain away the oddity and get back to their stultifying routine, but strange things start happening—inexplicably altered drawings, a notebook disappearing and reappearing (Loyette has been in trouble for acts of too-candid journalism, which is part of how he's ended up here), porcupine quills showing up in odd places, sleepwalking—and then, it seems, the shadows and strangenesses extend beyond them, start to affect everyone on the base. When one of Loyette’s men goes missing, there's only one place he could possibly be. Loyette and another member of the squad feel they have no choice but to attempt a rescue mission...straight down the rabbit hole that is the militia house. At this point, Milas nimbly and delicately balances the book between genres: It would be a relief for Loyette, and for the reader, if we could classify it—label it, defang it—as horror rather than having, agonizingly, to view it as a realistic portrait of a war-damaged mind collapsing in on itself. The novel turns, as the gothic often does, on what happens when one can no longer distinguish inside from out, mind from world, fear from menace.

A mostly sharp, disturbing debut.

Pub Date: July 11, 2023

ISBN: 9781250857064

Page Count: 272

Publisher: Henry Holt

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 91


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 91


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 67


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

Awards & Accolades

Likes

  • Readers Vote
  • 67


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

Close Quickview