A mostly sharp, disturbing debut.
Q: What happens when the fog of war gets inside one's head? A: The military novel gone gothic.
2010. Loyette, a corporal newly assigned to a forward base in Afghanistan, has been tasked with leading a small group in offloading cargo from helicopters. After his brother was killed in action, Loyette—in what he now sees as a gung-ho blunder—left college to join up, and he's mostly marking time until he can go home. The work is lonely, intermittent, often dreary; he and his squad are safe within the walls of the compound but bored and anxious and hypervigilant. Just outside the camp's gates sits the empty husk of a Soviet-era barracks in which, they’re told, a massacre of the occupiers occurred, and—an idle mind being the gothic novelist’s workshop—they decide to make a brief tour; perhaps they can snag a souvenir. While there, Loyette and his men grow disoriented, lose track of time, and a staircase to a basement seems to disappear. Once they emerge, they ignore or explain away the oddity and get back to their stultifying routine, but strange things start happening—inexplicably altered drawings, a notebook disappearing and reappearing (Loyette has been in trouble for acts of too-candid journalism, which is part of how he's ended up here), porcupine quills showing up in odd places, sleepwalking—and then, it seems, the shadows and strangenesses extend beyond them, start to affect everyone on the base. When one of Loyette’s men goes missing, there's only one place he could possibly be. Loyette and another member of the squad feel they have no choice but to attempt a rescue mission...straight down the rabbit hole that is the militia house. At this point, Milas nimbly and delicately balances the book between genres: It would be a relief for Loyette, and for the reader, if we could classify it—label it, defang it—as horror rather than having, agonizingly, to view it as a realistic portrait of a war-damaged mind collapsing in on itself. The novel turns, as the gothic often does, on what happens when one can no longer distinguish inside from out, mind from world, fear from menace.
A mostly sharp, disturbing debut.Pub Date: July 11, 2023
ISBN: 9781250857064
Page Count: 272
Publisher: Henry Holt
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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