J. P.

Name: J. P.
Author: John Mooers
ISBN: 978-0988648647

by John Mooers ‧ RELEASE DATE: March 31, 2013

A history buff’s guilty pleasure, offering a behind-the-scenes peek into the world of a man whose impact on society lasts to...

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A historical novel that paints an intimate portrait of J.P. Morgan, U.S. banker, financier and philanthropist.

A seasoned author, Mooers (Pillar of Stories, 2013) delves into the personal life of a giant in the financial world. The novel is framed around Morgan as an elderly man reminiscing on his life, his memories serving as the vehicle by which readers come to understand how his experiences shaped him. Sensitive and vulnerable aren’t feelings often associated with this shrewd businessman, yet Mooers reminds readers that Morgan was pierced with mortal longings and pain just like everyone else—from never receiving enough affection from his father to losing a close friend and later a great love to consumption. His sentimentality even permeated his penchant for collecting art: Many years after losing his love, Amelia, Morgan discovered a painting that reminded him of her; he purchased it, hung it over his mantle and never told his wife why, only saying once to someone while looking at it, “Art is the closest thing we have in our world to the eternal.” In addition to his personal losses, Morgan struggled with acne rosacea rhinophyma, a disfiguring condition that haunted him into old age. Despite all this, he was immensely successful, and it is clear his touch on modern life was profound. He helped finance Thomas Edison’s “light” project and was at the forefront of the great industrial consolidations of his time, merging large steel and iron businesses. Mooers weaves this tale together by alternating among the present and various points in Morgan’s past—an engaging storytelling technique, but Mooers jumps time periods with abandon, making some transitions bumpy and others altogether jarring. He also adds a few too many details, stretching out scenes longer than necessary, and although he attempts to reveal a new side to Morgan, Mooers ultimately glosses over the banker’s generally gruff manner and the controversy that surrounded him, particularly how he used his power to manipulate the financial system for personal gain. Still, this novel offers a waltz with history and gives readers the seductive sense of being let in on Morgan’s private, intimate recollections.

A history buff’s guilty pleasure, offering a behind-the-scenes peek into the world of a man whose impact on society lasts to this day.

Pub Date: March 31, 2013

ISBN: 978-0988648647

Page Count: 360

Publisher: Riverrun

Review Posted Online: Dec. 12, 2014

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.