When O'Brien's first novel, Leaving Las Vegas (1991), became a hit movie, making his reputation as a chronicler of social misfits, his early death (196994) was properly mourned. But, sadly, this addition to his small body of work, while it reminds us of his distinctively harsh vision of life, is not a repeat of that earlier book. Mild-mannered Carroll has two things going in his life: his day job as head file clerk in a conniving L.A. law firm, and his nightly refuge, Indiscretions, a stripper club that draws him like a moth to a flame. All but invisible in both places, he begins to metamorphose suddenly one night when a new dancer, Stevie, enters the club and becomes the object of his obsession. Too shy to talk to her at first, by the second night he's mustered just enough courage to request a private dance with her, which, even though it takes all his money, gives him a taste of heaven and the conviction that Stevie is an angel. The next step for Carroll is to buy a new wardrobe, one that he thinks will impress her, but as his confidence builds and more contact with her makes her friendlier toward him, he inadvertently crosses the line that separates them, violating the club's rules of conduct with immediate, devastating results. Now wild in his desperation, he refuses to go back to his cocoon of meekness, first confronting another dancer in the club, then the powers-that-be in the firm, deliberately crossing the line each time, and finally walking away from his job to see if he can't salvage some hope of friendship with Stevie—who responds not unkindly to his need. The club world, distilled to its seedy essence, and O'Brien's acknowledged grasp of lonely lives, male and female, are impressive. But the essential element of character chemistry never clicks here, so that plot contrivance and cool observation remain mostly visible for what they are.
Pub Date: July 1, 1997
ISBN: 0-8021-3507-2
Page Count: 208
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
BOOK REVIEW
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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