When this satire bites, it hurts.
It’s never wrong to do too much for your kids, right?
The over-anxious parent has been documented quite widely in nonfiction over the past decade, but British comic author O’Farrell (This Is Your Life, 2004, etc.) takes on this unseemly phenomenon from a fiction angle. While he doesn’t turn these demanding drill sergeants into the monsters often depicted in tut-tutting magazine articles, neither does he try hard to humanize them. Narrator Alice is, to put it mildly, an overprotective mom. Concerned about the cars that come roaring down her fashionable London street at all hours, she decides to teach the drivers a lesson by crafting a crude mockup of a child, putting it on a stick, and then shoving it in front of an oncoming vehicle. Several smashed vehicles, a visit from the local constabulary, and one chagrined husband later, Alice is far from learning her lesson. See, it’s time to get wee Molly into Chelsea College, the best school around, only Molly doesn’t like to do homework. So Alice does what any self-respecting parent would do: She dresses up as a spotty-faced kid and takes the entrance exam herself. Moral qualms are temporarily swept away by Alice’s drive to have the very best for her surely exceptional child. (She couldn’t possibly be average: Alice and her fellow mothers shudder at the very suggestion of non-exceptionalism.) Unfortunately for Alice, her slumbering conscience comes roaring to life when she meets Ruby, the very nice African girl from the housing estate who would have gotten a scholarship to Chelsea had Alice not aced the test for Molly. O’Farrell has trouble keeping his plot going at times, and some sections drag, but his unerring eye for the classism, racism and monstrous egoism propelling these middle-class mini-dictators more than makes up for it.
When this satire bites, it hurts.Pub Date: Oct. 1, 2005
ISBN: 0-8021-7015-3
Page Count: 256
Publisher: Black Cat/Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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