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THEY ARE ALL MY FAMILY

A DARING RESCUE IN THE CHAOS OF SAIGON’S FALL

A nail-biting account of one man’s quiet heroism in the face of impossible odds.

Memoir of a bank manager’s unlikely role in the evacuation of South Vietnamese from war-torn mid-1970s Saigon.

With the assistance of Demery (Finding the Dragon Lady: The Mystery of Vietnam's Madame Nhu, 2013), Riordan chronicles his time as a mild-mannered manager of a bank in Saigon and his more important role as a savior of dozens of South Vietnamese families fleeing the rolling juggernaut of communism in 1975. The author first got acquainted with Vietnam through his 15-month tour of duty in the United States Army, but then he found himself in a new and seemingly passive role in international financial services. By the spring of 1975, what seemed like a routine civilian position became the last outpost of American financial interests in South Vietnam and the setting for the final airlift of Americans and South Vietnamese out of the country. Although the narrative lacks the dramatic punch of a more seasoned writer, Riordan builds his story in measured prose, giving a vivid sense of the history of Vietnam that comes from lived experience rather than research. At the height of the crisis in Saigon, the author was faced with a choice that no one should ever have to make. Although he was told to limit his evacuees to American citizens, he found an ingenious way to also save many of his longtime South Vietnamese bank colleagues—by exploiting an obscure legal loophole that involved, amazingly, passing his colleagues off as family. “I wasn’t trying to be a hero,” he writes, “but it seemed right to me to at least try to help my colleagues and my friends. When I could not stand by, they all became my family. Now they have become our neighbors, our friends, and our fellow Americans. In the case of these 106 lives, the tragic and chaotic end of the [war] became the beginning of something new.”

A nail-biting account of one man’s quiet heroism in the face of impossible odds.

Pub Date: April 7, 2015

ISBN: 978-1-61039-503-8

Page Count: 256

Publisher: PublicAffairs

Review Posted Online: Jan. 14, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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