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PLAGUE OF WITCHES

An exhilarating, exceptional story brimming with magic and zigzagging plot turns.

Awards & Accolades

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Having just learned she’s a witch, a 20-something joins an exclusive university to learn what happened to her mother, who disappeared years ago, in this fantasy mystery.

Californian Kana Klausen’s 21st birthday comes with a visit from a strange woman. Professor Claire White tells Kana that she is a witch, like her mother, Akemi Wakahisa. Before vanishing two decades prior, Akemi put a spell on her infant daughter that suppressed her magic until she turned 21. Kana can help uncover what happened to Akemi by attending Shipton University—a university for witches in Connecticut. Though Shipton is well known, witches have implemented two agencies to keep spellcasting a secret from the public. Kana takes a crash course in supernatural arts and, at Shipton, quickly picks up her mother’s incomplete, initially undisclosed research in hopes of learning Akemi’s fate. This entails an experiment involving other students, including Vanessa Lake. Despite Vanessa’s recurrent troublemaking, the National Council of Witches sends her to Shipton on a probationary basis; she wears a bracelet allowing the administration to monitor whatever magic she uses. Around the same time, a massless entity awakens and escapes a cage made of pure energy. This entity feeds on the pain of animals and humans but needs “the Promised”—a body that can sustain the entity’s presence. This is a specific individual, but it doesn’t know that person’s identity. However, it slowly regains power and memories via multiple murders, gradually making its way to Shipton, where the Promised is most assuredly Kana or someone close to her. Although this spirited tale begins as primarily a fantasy, it ultimately spins into a taut, surprising mystery. Kennedy (Lady Dread, 2019, etc.), for starters, gradually introduces distinctive characters. These include fellow student Night, who’s both Vanessa’s assigned tutor and Kana’s romantic interest; Vanessa’s roomie, Cassandra; and townie, Ian, who initiates a mostly physical relationship with Vanessa. As the story progresses, readers will anticipate some reveals, like the goal of Akemi’s research or which particular witch is possibly assisting the entity. But others are bombshells, especially during the blistering, twisty final act. Vanessa is a standout among a cast of robust, predominantly female characters. She’s led a hard life in Canada courtesy of her indifferent guardian, Ambrose Levesque. But while she’s rude at first (even to undeserving Night), her attitude eventually lessens in severity—though she remains strong, just as likely to punch someone in the face as use her more unusual powers. Kennedy writes clearly and concisely without lingering on more lurid moments, like sex scenes or bloody deaths. Nevertheless, the author’s best feat here is the description of the mysterious entity—whether it’s in an incorporeal form or occupying one of many bodies. In one scene, the entity flits between three individuals in a matter of seconds, part of a plan that further solidifies it as an unnerving, formidable villain. A sensational ending sets the stage for a sequel that impatient readers will crave.

An exhilarating, exceptional story brimming with magic and zigzagging plot turns.

Pub Date: Sept. 16, 2019

ISBN: 978-1-69175-873-9

Page Count: 368

Publisher: Self

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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THE DOG STARS

Although Heller creates with chilling efficiency the bleakness of a world largely bereft of life as we know it, he holds out...

A post-apocalyptic novel in which Hig, who only goes by this mononym, finds not only survival, but also the possibility of love.

As in Cormac McCarthy’s The Road, the catastrophe that has turned the world into its cataclysmic state remains unnamed, but it involves “The Blood,” a highly virulent and contagious disease that has drastically reduced the population and has turned most of the remaining survivors into grim hangers-on, fiercely protective of their limited territory. Hig lives in an abandoned airplane hangar and keeps a 1956 Cessna, which he periodically takes out to survey the harsh and formidable landscape. While on rare occasions he spots a few Mennonites, fear of “The Blood” generally keeps people at more than arm’s length. Hig has established a defensive perimeter by a large berm, competently guarded by Bangley, a terrifying friend but exactly the kind of guy you want on your side, since he can pot intruders from hundreds of yards away, and he has plenty of firepower to do it. Haunted by a voice he heard faintly on the radio, Hig takes off one day in search of fellow survivors and comes across Pops and Cima, a father and daughter who are barely eking out a living off the land by gardening and tending a few emaciated sheep. Like Bangley, Pops is laconic and doesn’t yield much, but Hig understandably finds himself attracted to Cima, the only woman for hundreds of miles and a replacement for the ache Hig feels in having lost his pregnant wife, Melissa, years before.

Although Heller creates with chilling efficiency the bleakness of a world largely bereft of life as we know it, he holds out some hope that human relationships can be redemptive.

Pub Date: Aug. 7, 2012

ISBN: 978-0-307-95994-2

Page Count: 272

Publisher: Knopf

Review Posted Online: July 21, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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